Antique one-sided embossed photogravure print of the three Mary's at the Tomb of Jesus by French artist William Adolphe Bouguereau (1825-1905) titled The Women at the Tomb," also known as "The Holy Women at the Tomb. Published on heavyweight paper in 1893 by D. Appleton Co., New York. Stated copyright 1893 by Braun, Clement Co. "Photogravure Goupil" denoted beneath the image. Full size measures approximately 12.5 x 16.75. Framing area including image, artist/title, and embossed inner white border (that portion of the border that would normally be visible after framing or matting) measures approximately 9.5 x 15. Condition: Print is in very good condition aside from some age browning of white border along the edges primarily outside the recommended framing area, with the exception of a moisture stain that enters the framing area at the bottom. The reverse side has heavier foxing but does not show through to the front. There are no pin holes or tape marks anywhere on this antique print. Comments: "Le Saintes Femmes au Tombeau," 1890, translated to "The Holy Women at the Tomb," depicts the three Marys, Mary the Mother of James, Mary Magdalene and Mary of Cleophas, at the tomb of the resurrection. The viewer, compositionally, is placed in a prostrated position and looking up first notices the expressions of bewilderment on the central Marys face before looking past the three women and into the tomb. The tomb is filled with light and the viewer can only catch a glimpse of the angel of the resurrection with his arm raised. This is a very clever arrangement. The viewer feels as though they are there with the Marys and that they have stumbled onto this event, bringing it into the present. This painting was first exhibited at the Paris Salon of 1890, and though a critic after viewing the piece at that time said that Bouguereau always showed the same thing, the perspective used in this painting and the overall composition is most original and was a tour de force of perspective and foreshortening; which can be clearly seen in the severe angle of the tomb entranceway. The painting now hangs in the collection of the Muse Royal des Beaux-Arts, Antwerp, Belgium. Bouguereau was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown.