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The Etude, Presser’s Musical Magazine, April 1916. MOZART on the Cover

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FREE in United Kingdom
Ships from United States Us

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

Magazines

Quantity Available:

Only one in stock, order soon

Condition:

Very Good

Publication Year:

1916

Subject:

Music

Issue Type:

Monthly Issue

Month:

Monthly April

Year Published:

1916

Language:

English

Country/Region of Manufacture:

United States

Features:

Vintage

Type:

Magazine

Special Attributes:

1st Edition, Illustrated

Publication Name:

The Etude

Title:

The Etude

Era/Year:

1916

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Price discount:

10% off w/ $100.00 spent

Posted for sale:

More than a week ago

Item number:

1466294054

Item description

The Etude was an American print magazine dedicated to music founded by Theodore Presser (1848–1925) at Lynchburg, Virginia, and first published in October 1883. Presser, who had also founded the Music Teachers National Association, moved his publishing headquarters to Philadelphia, Pennsylvania in 1884, and his Theodore Presser Company continued the magazine until 1957. Aimed at all musicians, from the novice through the serious student to the professional, The Etude printed articles about both basic (or "popular") and more-involved musical subjects (including history, literature, gossip, and politics), contained write-in advice columns about musical pedagogy, and piano sheet music, of all performer ability levels, totaling over 10,000 works. Helen Tretbar edited the magazine in the late 1880s. James Francis Cooke, editor-in-chief from 1909 to 1949, added the phrase "Music Exalts Life!" to the magazine's masthead, and The Etude became a platform for Cooke's somewhat polemical and militantly optimistic editorials. The sometimes, conservative outlook and contents of the magazine may have contributed to a decline in circulation in the 1930s and '40s, but in many respects it moved with the times, unequivocally supporting the phonograph, radio, and eventually television, and, by the late 1930s, fully embracing jazz. By the end, George Rochberg was an editor of The Etude under Guy McCoy, who had succeeded Cooke as editor-in-chief after over two decades as an assistant, and the magazine's musical content had come more closely in-step with the contemporary world.