Oscar Moore jazz guitar CD Fresh Sound Carl Perkins Curtis Counce Inez Jones
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Seller handling time is 1 business day Details
This reflects the seller's handling time and may not include time spent in transit.
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£9.55 to Worldwide
Ships from
United States
Offer policy
OBO - Seller accepts offers on this item.
Details
You can make your offer during the checkout process as long as you do not live in a state where marketplace facilitator tax laws exist.
Check your state.
Seller requires that you have
2 or more feedback before you can send them an offer on this item.
Payment options
PayPal accepted
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Item traits
Category: |
CDs
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Quantity Available: |
Only one in stock, order soon
|
Condition: |
Good
|
Style: |
Reggae, Ska & Dub Sound System
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Duration: |
Album
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Release Year: |
1993
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UPC: |
Does not apply
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Record Label: |
Fresh Sound
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Genre: |
Jazz
|
Listing details
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Posted for sale:
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More than a week ago
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Item number:
|
730212547
|
Oscar Moore (g), Carl Perkins (p), Curtis Counce (b), Bill Douglass (d), Inez Jones (v), Gerald Wiggins (p), Joe Comfort (b)
FSRCD 202
This
album compiles two Oscar Moore sessions from 1957 and 1965. For the
first ten tracks, Moore backs singer Inez Jones in one of her very few
recording dates. The remaining tracks are with his trio featuring Gerald
Wiggins and Joe Comfort. These recordings have somewhat of a checkered
history. Originally produced on Omega Tape by tape pioneer Dave Hubert
and then licensed by Riverside, they pretty much disappeared from sight
until revived by the Spanish label Fresh Sound. How they came into their
possession is anybody's guess. Sparsely amplified and allowing enough
space between chords to permit the listener to absorb what's being
played, Oscar Moore's clean-lined guitar playing, which always paid
attention to the melody line, made him instantly recognizable when he
was a member of the Nat King Cole Trio. Semi-retired just before these
albums were made, he was running a gas station, but was lured away from
the pumps to participate in these recordings. As popular and well known
as Moore was, Jones wasn't much appreciated beyond the San Francisco
area where she did most of her gigging. She had a light, straightforward
melodic voice similar to one of her contemporaries, Maxine Sullivan.
She was equally at home with ballads and lightly swinging material, and
liked to surprise with dips at the end of a line, such as on a lovely
"Moonlight in Vermont." Another benefit of this album is the subtle
piano playing of Wiggins, as on "Sweet Lorraine." These sessions come
from those days when there were still clubs and lounges where a singer
with a small group could get a gig. They simply brought the way they
performed in these places into the studio. The result is some settled,
relaxed playing by knowledgeable, consummate artists of their trade.
Tracklisting:
1. Too Marvelous For Words (Mercer-Whiting)
2. Until The Real Thing Comes Along
(Cahn-Chaplin-Freeman)
3. Since I Fell For you (Buddy Johnson)
4. Where Or When (Rodgers-Hart)
5. Dancing On The Ceiling (Rodgers-Hart)
6. Moonlight In Vermont (Blackburn-Suessdorf)
7. Don't Worry 'Bout Me (Koehler-Bloom)
8. Don't Take Your Love From Me (Henry Nemo)
9. Poor Butterfly (Golden-Hubbell)
10. Happy (Wyley-Kaplan)
11. Sweet Lorraine (Burwell-Parish)
12. Body And Soul (Green-Heyman-Sour-Eyton)
13. That's All (Brand-Haymes)
14. It's Only A Paper Moon (Arlen-Rose-Harburg)
15. Afterglow (O.Moore)
16. Old King Cole (O.Moore)
17. I'll Remember You (O.Moore)
18. This Will Make You Laugh
(Higgenbotham-Southern)
19. Beautiful Moons Ago (O.Moore)
20. Gee Baby, Ain't I Good To You (Redman-Russell)
21. Come In Out Of The Rain (Sigman-Russell)
22. The Christmas Song (Wells-Torme)
Tracks 1-10 Recorded in Berkeley, California, 1957
Tracks 11-22 Recorded Burbank, California, 1965