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Gordon Coutts Oil Portrait of a Man of Faith

£3,348.29 GBP
£3,382.11 More info
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Ships from United States Us

Offer policy

OBO - Seller accepts offers on this item. Details

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Full refund available within 30 days

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Shipping options

No shipping price specified to GB
Ships from United States Us

Offer policy

OBO - Seller accepts offers on this item. Details

Return policy

Full refund available within 30 days

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

Paintings

Quantity Available:

Only one in stock, order soon

Condition:

Used

Medium:

Oil

Type:

Painting

Listing details

Shipping discount:

Shipping weights of all items added together for savings.

Posted for sale:

More than a week ago

Item number:

1671844031

Item description

This is an oil on canvas of a hooded man with cane and prayer beads, 28"x23" stretcher size, signed at lower left "Gordon Coutts." It is mounted in its original frame and is in very good condition. In 1920 Gordon Coutts travelled to Tangiers, Morocco where, dressed as an Arab, he passed from tribe to tribe observing the lifestyle, customs and practices of the the village people and Bedouins. He most certainly sketched and painted all along the way. This is a portrait of a dark skinned Muslim man with cane and string of prayer beads. Muslim prayer beads are the best way to help a Muslim make constant remembrance of Allah. They are referred to as Tasbeeh, Islamic prayer beads, misbaha, and other names; but the function is to help a Muslim keep count of his dhikr until he or she reaches 99 recitations of whichever phrase is being used to focus on the presence of Allah. Some pencil marks were evident above the sealing tape on the bottom stretcher so some of this original tape was moistened and removed revealing the title of the painting "Faithful Mohamedon." This was likely written by the artist. The title suggests this was less a portrait of an individual and more a symbol of his culture and religion.