Catalog Number: FW-38091 Condition Details: Still in ORIGINAL SHRINK-WRAP (opened and partially torn on front). Vinyl plays nicely (play-graded). Cover looks great; a few creases near edges; light-scuffing (front/back); shrink-wrap has torn away on right side of front and there is a black ink dot and sticker residue at top right corner. Back has slight discoloration. Inner-sleeve is original (generic white). Spine is unbroken, clean and easy-to-read. Little shelf-wear along bottom-edge; more noticeable wear along top-edge and corners. Opening is crisp with signs of light use and divots. (Not a cut-out.) Tracks: I Don't Know Why (I Just Do) / Love Me Or Leave Me When I Take My Sugar To Tea I'll Be Around Strictly For The Birds Before Love Went Out Of Style Soft Shoe Smilin' Through I Can't Give You Anything But Love It's Easy To Remember Play It Again Sam Be A Child About The Record: Smilin' Through, by Cleo Laine and Dudley Moore, is the result of two giant entertainers from the British Isles getting together in London for a session of ballads and traditional pop. Dudley Moore was more famous, at least in the United States, for his comedic roles in a number of films. But he was a pianist and composer of no mean skills. Cleo Laine had been a singing talent of the first order since the 1950s and often performed and recorded with husband and sax player John Dankworth. Dankworth is present on one cut on this album. While Moore dashes off some nice solo work on such cuts as When I Take My Sugar to Tea and an Erroll Garner-like I Can't Give You Anything but Love, it's Laine's wide-ranged, full-throated, expressive, and clear-as-a-mountain-lake voice that dominates the session. She sets the table for I Don't Know Why I Just Do, recalling a few lines from Love Me or Leave Me, and squeezes every ounce of feeling from I'll Be Around. Then there's a fun, hip, overdubbed, scatting 1960 girl-singer rendition of Before Love Went out of Style. The album's highlight track is a bluesy Soft Shoe, where Dankworth chips in with his soprano sax and Laine and Moore engage in congenial patter. Moore's fellow rhythm section players are the inestimable Ray Brown and Nick Ceroli, which is the icing on a tasty musical cake that this album serves up.