ASC American Cinematographer Magazine November 2024 Dune Part Two + much more! ASC American Cinematographer Magazine November 2024 Dune Part Two The Intricate Dance of Emilia Perez ASC On Color + much much more The November 2024 issue presents a special focus on tools for virtual production, including coverage of how the Dune: Part Two camera team used Unreal Engine for planning, an overview of how virtual art departments function, and a look at real-time ray tracing for virtual production. Also featured in the issue are coverage of September 5 and Emilia Perez; a discussion with Robert Richardson, ASC about color grading and his collaborations with colorists; and a 75th-anniversary pictorial tribute to the British Society of Cinematographers. · President?s Desk: Shelly Johnson, ASC considers the origin and evolution of the previsualization process. · Greig Fraser, ASC, ACS and director Denis Villeneuve illuminate their approach to Dune: Part Two, including how Unreal Engine was integrated into the cinematography department to facilitate planning. In an AC exclusive, the filmmakers also share an excerpt from the visual document created by virtual-cinematography technician Tamas Papp. · Markus Forderer, ASC, BVK discusses creating suspense in a single setting for the fact-based drama September 5, directed by Tim Fehlbaum. · Paul Guilhaume, AFC details his strategies for the ambitious musical production Emilia Perez, directed by Jacques Audiard. · Robert Richardson, ASC shares his perspective on the past, present and future of color grading, and colorists Elodie Ichter, Yvan Lucas, Stephen Nakamura and Stefan Sonnenfeld discuss some of their collaborations with the lauded cinematographer. · BSC President Christopher Ross introduces AC?s pictorial tribute to the 75th anniversary of the British Society of Cinematographers. · Shot Craft: A look at cinematographers? creative interactions with the virtual art department, including observations from Michael Goi, ASC, ISC and Christopher Probst, ASC. · The Virtual World: Richard Crudo, ASC and producer/VFX supervisor Christopher Nichols discuss real-time LED-volume ray tracing and the demo short film Ray Tracing FTW. · Clubhouse News: The latest bulletins from the Society feature the 2024 Primetime Emmy Awards; ASC Master Classes in Los Angeles and New York; a Birns Sawyer presentation on filtration; an Education Outreach event for Hollywood CPR; Bradford Young, ASC in conversation with Mark Lee Ping-bing; and a John Bailey Heritage Screening of The Innocents (1961). · Wrap Shot: Dune (1984), shot by Freddie Francis, BSC and directed by David Lynch. From the Publisher: American Cinematographer is the world?s leading journal on motion-imaging techniques, with a special focus on the entertainment industry?s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology ? the tools cinematographers use to ply their trade ? and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos. From the Publisher: American Cinematographer is the world?s leading journal on motion-imaging techniques, with a special focus on the entertainment industry?s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology ? the tools cinematographers use to ply their trade ? and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos. Normal 0 false false false EN-US X-NONE X-NONE ASC American Cinematographer Magazine November 2024 Dune Part Two The Intricate Dance of Emilia Perez ASC On Color + much much more The November 2024 issue presents a special focus on tools for virtual production, including coverage of how the Dune: Part Two camera team used Unreal Engine for planning, an overview of how virtual art departments function, and a look at real-time ray tracing for virtual production. Also featured in the issue are coverage of September 5 and Emilia P eacute;rez; a discussion with Robert Richardson, ASC about color grading and his collaborations with colorists; and a 75th-anniversary pictorial tribute to the British Society of Cinematographers. middot; President rsquo;s Desk: Shelly Johnson, ASC considers the origin and evolution of the previsualization process. middot; Greig Fraser, ASC, ACS and director Denis Villeneuve illuminate their approach to Dune: Part Two, including how Unreal Engine was integrated into the cinematography department to facilitate planning. In an AC exclusive, the filmmakers also share an excerpt from the visual document created by virtual-cinematography technician Tam aacute;s Papp. middot; Markus F ouml;rderer, ASC, BVK discusses creating suspense in a single setting for the fact-based drama September 5, directed by Tim Fehlbaum. middot; Paul Guilhaume, AFC details his strategies for the ambitious musical production Emilia P eacute;rez, directed by Jacques Audiard. middot; Robert Richardson, ASC shares his perspective on the past, present and future of color grading, and colorists Eacute;lodie Ichter, Yvan Lucas, Stephen Nakamura and Stefan Sonnenfeld discuss some of their collaborations with the lauded cinematographer. middot; BSC President Christopher Ross introduces AC rsquo;s pictorial tribute to the 75th anniversary of the British Society of Cinematographers. middot; Shot Craft: A look at cinematographers rsquo; creative interactions with the virtual art department, including observations from Michael Goi, ASC, ISC and Christopher Probst, ASC. middot; The Virtual World: Richard Crudo, ASC and producer/VFX supervisor Christopher Nichols discuss real-time LED-volume ray tracing and the demo short film Ray Tracing FTW. middot; Clubhouse News: The latest bulletins from the Society feature the 2024 Primetime Emmy Awards; ASC Master Classes in Los Angeles and New York; a Birns amp; Sawyer presentation on filtration; an Education amp; Outreach event for Hollywood CPR; Bradford Young, ASC in conversation with Mark Lee Ping-bing; and a John Bailey Heritage Screening of The Innocents (1961). middot; Wrap Shot: Dune (1984), shot by Freddie Francis, BSC and directed by David Lynch. From the Publisher: American Cinematographer is the world rsquo;s leading journal on motion-imaging techniques, with a special focus on the entertainment industry rsquo;s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology mdash; the tools cinematographers use to ply their trade mdash; and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos. From the Publisher: American Cinematographer is the world rsquo;s leading journal on motion-imaging techniques, with a special focus on the entertainment industry rsquo;s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology mdash; the tools cinematographers use to ply their trade mdash; and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos. ASC American Cinematographer Magazine November 2024 Dune Part Two + much more! ASC American Cinematographer Magazine November 2024 Dune Part Two The Intricate Dance of Emilia Perez ASC On Color + much much more The November 2024 issue presents a special focus on tools for virtual production, including coverage of how the Dune: Part Two camera team used Unreal Engine for planning, an overview of how virtual art departments function, and a look at real-time ray tracing for virtual production. Also featured in the issue are coverage of September 5 and Emilia Perez; a discussion with Robert Richardson, ASC about color grading and his collaborations with colorists; and a 75th-anniversary pictorial tribute to the British Society of Cinematographers. · President?s Desk: Shelly Johnson, ASC considers the origin and evolution of the previsualization process. · Greig Fraser, ASC, ACS and director Denis Villeneuve illuminate their approach to Dune: Part Two, including how Unreal Engine was integrated into the cinematography department to facilitate planning. In an AC exclusive, the filmmakers also share an excerpt from the visual document created by virtual-cinematography technician Tamas Papp. · Markus Forderer, ASC, BVK discusses creating suspense in a single setting for the fact-based drama September 5, directed by Tim Fehlbaum. · Paul Guilhaume, AFC details his strategies for the ambitious musical production Emilia Perez, directed by Jacques Audiard. · Robert Richardson, ASC shares his perspective on the past, present and future of color grading, and colorists Elodie Ichter, Yvan Lucas, Stephen Nakamura and Stefan Sonnenfeld discuss some of their collaborations with the lauded cinematographer. · BSC President Christopher Ross introduces AC?s pictorial tribute to the 75th anniversary of the British Society of Cinematographers. · Shot Craft: A look at cinematographers? creative interactions with the virtual art department, including observations from Michael Goi, ASC, ISC and Christopher Probst, ASC. · The Virtual World: Richard Crudo, ASC and producer/VFX supervisor Christopher Nichols discuss real-time LED-volume ray tracing and the demo short film Ray Tracing FTW. · Clubhouse News: The latest bulletins from the Society feature the 2024 Primetime Emmy Awards; ASC Master Classes in Los Angeles and New York; a Birns Sawyer presentation on filtration; an Education Outreach event for Hollywood CPR; Bradford Young, ASC in conversation with Mark Lee Ping-bing; and a John Bailey Heritage Screening of The Innocents (1961). · Wrap Shot: Dune (1984), shot by Freddie Francis, BSC and directed by David Lynch. From the Publisher: American Cinematographer is the world?s leading journal on motion-imaging techniques, with a special focus on the entertainment industry?s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology ? the tools cinematographers use to ply their trade ? and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos. From the Publisher: American Cinematographer is the world?s leading journal on motion-imaging techniques, with a special focus on the entertainment industry?s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology ? the tools cinematographers use to ply their trade ? and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos. ASC American Cinematographer Magazine November 2024 Dune Part Two The Intricate Dance of Emilia Perez ASC On Color + much much more The November 2024 issue presents a special focus on tools for virtual production, including coverage of how the Dune: Part Two camera team used Unreal Engine for planning, an overview of how virtual art departments function, and a look at real-time ray tracing for virtual production. Also featured in the issue are coverage of September 5 and Emilia Perez; a discussion with Robert Richardson, ASC about color grading and his collaborations with colorists; and a 75th-anniversary pictorial tribute to the British Society of Cinematographers. · President?s Desk: Shelly Johnson, ASC considers the origin and evolution of the previsualization process. · Greig Fraser, ASC, ACS and director Denis Villeneuve illuminate their approach to Dune: Part Two, including how Unreal Engine was integrated into the cinematography department to facilitate planning. In an AC exclusive, the filmmakers also share an excerpt from the visual document created by virtual-cinematography technician Tamas Papp. · Markus Forderer, ASC, BVK discusses creating suspense in a single setting for the fact-based drama September 5, directed by Tim Fehlbaum. · Paul Guilhaume, AFC details his strategies for the ambitious musical production Emilia Perez, directed by Jacques Audiard. · Robert Richardson, ASC shares his perspective on the past, present and future of color grading, and colorists Elodie Ichter, Yvan Lucas, Stephen Nakamura and Stefan Sonnenfeld discuss some of their collaborations with the lauded cinematographer. · BSC President Christopher Ross introduces AC?s pictorial tribute to the 75th anniversary of the British Society of Cinematographers. · Shot Craft: A look at cinematographers? creative interactions with the virtual art department, including observations from Michael Goi, ASC, ISC and Christopher Probst, ASC. · The Virtual World: Richard Crudo, ASC and producer/VFX supervisor Christopher Nichols discuss real-time LED-volume ray tracing and the demo short film Ray Tracing FTW. · Clubhouse News: The latest bulletins from the Society feature the 2024 Primetime Emmy Awards; ASC Master Classes in Los Angeles and New York; a Birns Sawyer presentation on filtration; an Education Outreach event for Hollywood CPR; Bradford Young, ASC in conversation with Mark Lee Ping-bing; and a John Bailey Heritage Screening of The Innocents (1961). · Wrap Shot: Dune (1984), shot by Freddie Francis, BSC and directed by David Lynch. From the Publisher: American Cinematographer is the world?s leading journal on motion-imaging techniques, with a special focus on the entertainment industry?s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology ? the tools cinematographers use to ply their trade ? and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos. From the Publisher: American Cinematographer is the world?s leading journal on motion-imaging techniques, with a special focus on the entertainment industry?s most innovative and talented directors of photography. The magazine serves filmmakers by exploring cinematographers' artistic thought processes and explaining the technical means by which they realize a creative vision. In addition, our editorial seeks to keep readers abreast of advancements in all facets of motion-imaging technology ? the tools cinematographers use to ply their trade ? and inform them of visually extraordinary productions, including feature films, television shows, commercials and music videos.