*Leni Riefenstahl: A Memoir By Leni and similar items
*LENI RIEFENSTAHL: A MEMOIR By Leni Riefenstahl (1995, Trade Paperback) Fine+
£12.06 GBP
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View full item details »
Shipping options
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Refunds available: See booth/item description for details
Details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Very Good |
ISBN: |
9780312119263 |
Country/Region of Manufacture: |
United States |
Modified Item: |
No |
Topic: |
Autobiography |
Title: |
Leni Riefenstahl: A Memoir |
Type: |
Memoirs |
Author: |
Leni Riefenstahl |
Age Level: |
Adults |
Era: |
1980s |
Format: |
Trade Paperback |
Publisher: |
Picador |
Subjects: |
Biographies & True Stories |
LOC: |
Bookcase |
Publication Year: |
1995 |
Language: |
English |
Number of Pages: |
672 Pages |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
No combined shipping offered |
Posted for sale: |
More than a week ago |
Item number: |
870276328 |
Item description
This is a First Picador USA Edition (February 1995) first printing of LENI RIEFENSTAHL: A MEMOIR, written by Leni Riefenstahl and published in the US by Picador USA. It is in fine+ condition with a very small crease on the bottom right corner of approximately the first 50 pages and some smudging on the right side of the book on the edge of the pages.
One of the century's most remarkable and controversial women, Leni Riefenstahl is an artist of the first order. Dancer, actor, and photographer, she is best known as the director of Triumph of the Will, a film of a Nazi Party rally and Olympia, the classic account of the 1936 Berlin Olympics. It is for these works of cinematic propaganda that Riefenstahl is revered and reviled. In this autobiography, she discusses her motivations, her history, her important friendships, and, most of all, her art. Along with insights into directing and camera work, Riefenstahl offers an emotional, powerful story of a woman who refuses to be defined by any terms other than her own.
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