Vntg Jonathan Swift The Journal To Stella and 12 similar items

The typical Everyman's Library book bound and jacketed during the "Ravilious Era" from 1935 to 1952 is characterized by a solid color dust jacket over a book with an undecorated spine. The book is radically modified from the bindings and jacket designs used prior to 1935, with new design elements by Eric Ravilious. Binding and jacket colors and interior details vary among the thirteen sections of the library: Biography, Classical, Essays and Belles Lettres, Fiction, History, Oratory, Poetry Drama, Reference, Romance, Science, Theology Philosophy, Travel Topography, and Young People. New collectors of Everyman's Library are often confused by books that have mismatched dates, bindings, and jackets. Such mismatches are common and are due to the way Dent manufactured Everyman's titles. Books were printed in batches of about 10,000 and stored, unbound, until orders were received. Jackets were also printed and stored. Because of this, slower-selling titles often have mismatched dates, bindings, and jackets: a slow selling title printed in the Flatback Era could be bound late in the Shield Era, but not jacketed until the Ravilious Era. Tight, clean, flat, square book with bumped head, tail and corners in DJ with small chips, bends, creases, wrinkles and tears. See pictures for details. The history of the publication of the Journal to Stella is somewhat curious. On Swift's death twenty-five of the letters, forming the closing portion of the series, fell into the hands of Dr. Lyon, a clergyman who had been in charge of Swift for some years. The letters passed to a man named Wilkes, who sold them for publication. They accordingly appeared in 1766 in the tenth volume of Dr. Hawkesworth's quarto edition of Swift's works; but the editor made many changes in the text, including a suppression of most of the "little language." The publishers, however, fortunately for us, were public-spirited enough to give the manuscripts (with one exception) to the British Museum, where, after many years, they were examined by John Forster, who printed in his unfinished "Life of Swift" numerous passages from the originals, showing the manner in which the text had been tampered with by Hawkesworth. Swift himself, too, in his later years, obliterated many words and sentences in the letters, and Forster was able to restore not a few of these omissions. His zeal, however, sometimes led him to make guesses at words which are quite undecipherable. Besides Forster's work, I have had the benefit of the careful collation made by Mr. Ryland for his edition of 1897. Where these authorities differ I have usually found myself in agreement with Mr. Ryland, but I have felt justified in accepting some of Forster's readings which were rejected by him as uncertain; and the examination of the manuscripts has enabled me to make some additions and corrections of my own. Swift's writing is extremely small, and abounds in abbreviations. The difficulty of arriving at the true reading is therefore considerable, apart from the erasures.