Sisterfire (1985) Vinyl LP • Holly Near, and similar items
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Sisterfire (1985) Vinyl LP • Holly Near, Cris Williamson, Ronnie Gilbert
£12.11 GBP
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View full item details »
Shipping options
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
None: All purchases final
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Used |
Style: |
Pop 1980s, Folk Folk Rock, New Age & Easy Listening Vocal |
Speed: |
33 RPM |
Record Size: |
12" |
Duration: |
LP |
Record Grading: |
Near Mint (NM or M-) |
Sleeve Grading: |
Excellent (EX) |
Record Label: |
Redwood Records |
Release Year: |
1985 |
Country/Region of Manufacture: |
United States |
Artist: |
Various Artists |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
Seller pays shipping for this item. |
Price discount: |
10% off w/ $75.00 spent |
Posted for sale: |
More than a week ago |
Item number: |
1171274310 |
Item description
Catalog Number: RR-8507
Condition Details:
Listener Survey/Order form insert, Donation insert, and Lyrics/Photo insert included. Vinyl plays nicely (play-graded). Cover looks great; a few creases near edges; very light-scuffing, discoloration spots, and surface impressions (front/back); a few tiny surface abrasions on back. Inner-sleeve is original (generic white). Spine is easy-to-read with mild-wear. Shelf-wear along top/bottom-edge and corners. Opening is crisp with signs of light use and divots. Jacket made in Canada. (Not a cut-out.)
Tracks:
This Little Light Of Mine (Jane Sapp, Cathy Fink, Amparo Ochoa, The Moving Star Hall Singers, Alicia Partnoy, Sweet Honey In The Rock, Holly Near, The Reel World String Band, Ronnie GIlbert, Flora Moulton, Cris Williamson, and Alexis Deveaux )
Go Tell It On The Mountain (Jane Sapp )
Coal Mining Woman (Cathy Fink )
Mujer (Amparo Ochoa )
Oh Mother Don't You Worry 'Bout Me (The Moving Star Hall Singers )
Song Of The Exiled (Alicia Partnoy )
Chile-Soweto/Biko/Venceremos (Sweet Honey In The Rock )
A Perfect Night (Holly Near )
In My Girlish Days (The Reel World String Band )
Ghannu Ma'i (Ronnie GIlbert )
Do Lord (Flora Moulton )
Native Dancer (Cris Williamson )
Everyone Is Nicaragua (Alexis Deveaux )
Emma (Holly Near )
This Little Light Of Mine (Jane Sapp, Cathy Fink, Amparo Ochoa, The Moving Star Hall Singers, Alicia Partnoy, Sweet Honey In The Rock, Holly Near, The Reel World String Band, Ronnie GIlbert, Flora Moulton, Cris Williamson, and Alexis Deveaux )
About The Record:
This album chronicles the third annual Sisterfire Festival, a gathering of women artists in various media and from various cultures. The musical portion includes a broad range of styles that takes in folk songs, spirituals, poetry, and Women's Music. The unifying thread is an orientation toward liberal politics, particularly on an international level. Sweet Honey in the Rock's medley travels from Chile to South Africa in its condemnation of government oppression and apartheid, while Alexis Deveaux's poem Everyone Is Nicaragua celebrates a country struggling against efforts by the U.S. to topple its government. The international flavor is extended through songs actually sung in languages other than English: Amparo Ochoa's Mujer in Spanish and Ronnie Gilbert's Ghannu Ma'i in Lebanese. Folksinger Cathy Fink's rendition of Si Kahn's Coal Mining Woman harks back to old unionist sentiments, and Holly Near (whose Redwood Records label released this LP) contributes her lively lesbian song A Perfect Night and recalls turn-of-the-century anarchist Emma Goldman in Emma. The album opens and closes with renditions of This Little Light of Mine and periodically features spirituals: Jane Sapp's Go Tell It on the Mountain, Moving Star Hall Singers' Oh Mother Don't You Worry 'Bout Me, and Flora Molton's Do Lord Remember Me. The performers are all women, and the subject matter reflects women's concerns, but the overall tone of the collection is oriented toward left-wing topical folk music, circa the mid-'80s.
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