Issue Date: MARCH 1976; VOLUME 40, ISSUE 404
IN THIS ISSUE:-
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.
FRONT COVER: Detail of The Bayberry Bush (Chase Homestead in ShinneCock Hills), by William Merritt Chase, ca. 1 895, oil, 25oe x 32. Courtesy The Parrish Art Museum, Southampton.

THE TEACHING CAREER OF WILLIAM MERRIT CHASE by Ronald Pisano. Few art teachers have made such an impact on 20th century painting as W.M. Chase, yet little has been written about his accomplishments in this field. A major painter and a major instructor form the subject for this unique article.

STEVEN TREFONIDES: The Artist and the Photograph by Eve Medoff. This imaginative New England artist is a master of all graphic media and often works piecemeal from photographs. How does he manage to make viewers take a second, more penetrating look at his work?

SIEGFRIED HAHN AND HOWARD WEXLER: Classical Principles and the Maroger Medium by Mary Carroll Nelson. The controversial medium called Maroger has been the subject of debate since its creation. Here are two artist-teachers who strongly favor the medium and explain why.

TRACY MONTMINY: Myth and Form, by Charles Movalli. Teacher-painter Montiminy remarks, "The thing artists don't do enough of today is to study the work of other artists." What accounts for this unusual view? THE WATERCOLOR PAGE: John Maxwell. Using watercolor in a mixed media technique is described by this noted watercoiorist from Pennsylvania.

1976 AMERICAN ARTIST ART SCHOOL DIRECTORY.
FORUM PAGE: What Is The Proper Training of the Artist? by Wolf Kahn and Lucio Pozzi.
PROFESSIONAL PAGE by Betty Chamberlain.
TECHNICAL PAGE by Ralph Mayer.
EDITORIAL. FOOTNOTES. LETTERS TO THE EDITOR. ART MART. ART BOOKS. BULLETIN BOARD.
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.