King Crimson
In The Wake Of Poseidon
Vinyl LP - Atlantic SD 8266
First Pressing (1970)
Produced by Robert Fripp

Condition: Very Good Vinyl and VG++ (EX) Cover. Vinyl was play-tested on both sides and plays really well throughout with good fidelity. There is one small mark at the beginning of side two that has a little noise, does not last long -- otherwise very clean and sounds great and would be rated higher. Original gatefold cover has great color, no splits writing. Lyrics inside gatefold, includes original inner sleeve.

In the Wake of Poseidon is the second studio album by progressive rock group King Crimson, released in May 1970 by Atlantic Records in the United States. To date the album is their highest-charting in the UK, reaching number 4.

The album was recorded during a period of instability within the band owing to a fluctuating lineup. It follows a musical style and track sequence very similar to their first album, In the Court of the Crimson King. The album was well-received by contemporary critics, who commended the overall execution and production quality as an improvement over that of the band's debut.

Robert Christgau rated the album higher than the debut, describing it as "more muddled conceptually than In the Court of the Crimson King" but commenting that "they're not afraid to be harsh, they command a range of styles, and their dynamics jolt rather than sledgehammer".

In his retrospective review, AllMusic's Bruce Eder praised the album, saying that it was better produced than their debut, but he also said that it "doesn't tread enough new ground to precisely rival In the Court of the Crimson King".  

Tracklist

A1 Peace - A Beginning
A2 Pictures Of A City (Including 42nd At Treadmill)
A3 Cadence And Cascade
A4 In The Wake Of Poseidon (Including Libra's Theme)

B1 Peace - A Theme
B2 Cat Food
The Devil's Triangle
B3a The Devil's Triangle
B3b Merday Morn
B3c Hand Of Sceiron
B3d Garden Of Worm
B4 Peace - An End

Personnel
Robert Fripp – electric guitar (2, 6, 7), acoustic guitar (1, 3, 4, 5, 6, 8), Mellotron Mk II (2, 4, 7), celesta (3), piano (4), devices, production
Greg Lake – vocals (1, 2, 4, 6, 8)
Michael Giles – drums (2–4, 6, 7)
Peter Giles – bass guitar (2–4, 6, 7)
Keith Tippett – piano (3, 6, 7), harpsichord (7)
Mel Collins – alto & baritone saxophones (2), flute (3)
Gordon Haskell – vocals (3)
Peter Sinfield – lyrics, concept, sleeve design & inside painting, production
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Shipping: Calculated domestic shipping via Media Mail or Priority Mail. Will ship internationally at FLAT RATES.  Records mailed in a proper cardboard LP mailer. All records cleaned prior to shipment.

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Return Policy: I do accept returns for up to 30 days. Please let me know if you have questions about this item or any others I have for sale before you bid or purchase.  If you are unhappy with your purchase, please contact me immediately and I will do whatever I can to resolve. This may be a replacement, a credit, or a full or partial refund depending on the circumstances.

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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.


MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.

NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects. 

VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear. 

VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits. 

GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.

GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.

Feel free to contact me with any specific questions.