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(9) NINE HAGEN RENAKER
PORCELAIN FIGURES
SCULPTURE ANIMALS
A PENGUIN
A SQUIRREL
A SEAL
A HIPPOPATOMAS
A BLUEBIRD OF HAPPINESS
AN ALLIGATORY / CROCODILE
AND A POLAR BEAR PLAYING PIANO
(THI SPIECE IS THE LARGEST)
ALL OTHERS ARE ABOUT 1 INCH OR UNDER
 
 
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FYI

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Hagen-Renaker was a California pottery company established in Southern California in 1946. The company was founded and owned by John Renaker, Sr., and Maxine Renaker, The company's early production were plates, butter pats, and bowls made in their garage in Culver City, California. The company realized the potential for figurines, and began making them exclusively. Notable designers Tom Masterson, Neil Bortells, Martha Armstrong-Hand, Don Winton, and Will Climes designed for Hagen-Renaker. Hagen-Renaker is known for their miniature figurines and horse figurines.

History
With the help of Maxine's father Ole Hagen, John and Maxine Renaker built their first, small factory in Monrovia, California in 1946. The hyphenated name of the company was a way to thank and pay tribute to Ole Hagen. Maxine made a little duck to show a Brownie troop touring the factory how pottery was made. The duck was fired in the kiln between the larger items, and was an immediate success. John realized the potential for animal figurines, and began making them exclusively.

Decorator Helen Perrin Farnlund was hired early in the history of the company, and became known as the designer who created the majority of the "cute" animal and human models. Maureen Love was hired originally as a decorator, but quickly established herself as a designer of realistic animals. Most of the horses, and much of the realistic wildlife, farm, and domestic animals were created by Maureen.

Tom Masterson was a designer for Hagen-Renaker in the early 1950s, and is known for the realistic Pedigree Dog line, plus some other large animals. Other designers included Nell Bortells, who designed many of the Disney pieces and the Little Horribles line of caricature critters and Martha Armstrong-Hand, who also designed some Disney pieces, cats, and some human models. Don Winton and Will Climes, who had their own California pottery companies, designed figurines for Hagen-Renaker. Winton designed many of the Hagen-Renaker Disney pieces.

The company moved around southern California following the ebb and flow of the economy. During the early years of the post-World War II economic expansion, from the late 1940s to the mid-1950s, the factory expanded to several buildings in Monrovia. Later, as the competition from Japanese ceramics started to cut into the domestic business, Hagen-Renaker collapsed back down to one building in Monrovia. In the early 1960s, they moved the factory to San Dimas, California where John Renaker also had a plant nursery.

During a brief attempt at expansion, Hagen-Renaker purchased the Freeman-McFarlin factory in San Marcos, California and produced the Designers Workshop line there from 1980 to 1986. They then closed that facility and regrouped all resources in San Dimas. This is important because when collectors refer to pieces made by Hagen-Renaker, one way they are identified is by the factory where they were produced. Each factory has its own style and features.

There are roughly three sizes of pottery animals. The Designers Workshop line consists of animals in approximately the 5″ to 12″ range. The horses by Maureen Love are the most desirable and highly collectible items from this line. There are also farm animals, wild animals, and domestic animals in this size range. They were produced from the early 1950s through the mid-1980s, and the horses are currently (late 2000s) being released again. The miniature line was the first line made when Maxine produced the little duck, and the miniatures remain popular today. A relatively new line, Specialty size, was started in the 1990s and continues today. It can be described as being between the size of the miniatures and the Designer Workshop pieces.

John and Maxine Renaker retired from the pottery business in 1996, and their oldest daughter Susan Renaker Nikas took over running the company. Maxine Hagen Renaker died in July 2003. She wrote a memoir of her childhood in Red Lodge, Montana and Williston, North Dakota entitled One Lucky Kid. The book was originally published in 1993 and reissued in 2008. John Renaker died in November 2014. He had published two books unrelated to the ceramics business: Dr. Strangelove and the Hideous Epoch: Deterrence in the Nuclear Age was published in 2000. A collection of essays related to his lifelong interest in science was published in 2005 and entitled Once More into the Deja Vu.

At the end of 2021, the official Hagen-Renaker website was updated to state that no new ceramics would be produced in San Dimas, as Nikas was very ill. The remaining inventory was sold to a third party for purchase by dealers and collectors. The tradition of made in America figurines continues with Hagen-Renaker Tennessee.
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A zoo (short for zoological park or zoological garden, and also called a menagerie) is a facility in which animals are confined within enclosures, displayed to the public, and in which they may also be bred.
 
The term zoological garden refers to zoology, the study of animals, a term deriving from the Greek zoon (ζ?ον, "animal") and lógos (λóγος, "study"). The abbreviation "zoo" was first used of the London Zoological Gardens, which opened for scientific study in 1828 and to the public in 1847. The number of major animal collections open to the public around the world now exceeds 1,000, around 80 percent of them in cities.  However, keeping animals in zoos raises concerns for animal rights.  Zoos typically house more wild animals than domesticated ones.

Etymology
London Zoo, which opened in 1828, first called itself a menagerie or "zoological garden," which is short for "Gardens and Menagerie of the Zoological Society of London." The abbreviation "zoo" first appeared in print in the UK around 1847, when it was used for the Clifton Zoo, but it was not until some 20 years later that the shortened form became popular in the song "Walking in the Zoo on Sunday" by music-hall artist Alfred Vance. The term "zoological park" was used for more expansive facilities in Washington, D.C., and the Bronx in New York, which opened in 1891 and 1899 respectively.
 
Relatively new terms for zoos coined in the late 20th century are "conservation park" or "biopark". Adopting a new name is a strategy used by some zoo professionals to distance their institutions from the stereotypical and nowadays criticized zoo concept of the 19th century. The term "biopark" was first coined and developed by the National Zoo in Washington D.C. in the late 1980s. In 1993, the New York Zoological Society changed its name to the Wildlife Conservation Society and rebranded the zoos under its jurisdiction as "wildlife conservation parks."
 
History
Ancient world
The predecessor of the zoological garden is the menagerie, which has a long history from the ancient world to modern times. The oldest known zoological collection was revealed during excavations at Hierakonpolis, Egypt in 2009, of a ca. 3500 B.C. menagerie. The exotic animals included hippos, hartebeest, elephants, baboons and wildcats. In the 2nd century BCE, the Chinese Empress Tanki had a "house of deer" built, and King Wen of Zhou kept a 1,500-acre (6.1 km2) zoo called Ling-Yu, or the Garden of Intelligence. Other well-known collectors of animals included King Solomon of the Kingdom of Israel and Judah, Kings Semirami and Ashurbanipal of Assyria, and King Nebuchadnezzar of Babylonia. By the 4th century BCE, zoos existed in most of the Greek city states; Alexander the Great is known to have sent animals that he found on his military expeditions back to Greece. The Roman emperors kept private collections of animals for study or for use in the arena, the latter faring notoriously poorly. The 19th-century historian W.E.H. Lecky wrote of the Roman games, first held in 366 BCE.

At one time, a bear and a bull, chained together, rolled in fierce combat across the sand. Four hundred bears were killed in a single day under Caligula ... Under Nero, four hundred tigers fought with bulls and elephants. In a single day, at the dedication of the Colosseum by Titus, five thousand animals perished. Under Trajan ... lions, tigers, elephants, rhinoceroses, hippopotami, giraffes, bulls, stags, even crocodiles and serpents were employed to give novelty to the spectacle.
 
Medieval England
Henry I of England kept a collection of animals at his palace in Woodstock, which reportedly included lions, leopards, and camels. The most prominent collection in medieval England was in the Tower of London, created as early as 1204 by King John I. Henry III received a wedding gift in 1235 of three leopards from Frederick II, Holy Roman Emperor, and in 1264, the animals were moved to the Bulwark, renamed the Lion Tower, near the main western entrance of the Tower. It was opened to the public during the reign of Elizabeth I in the 16th century. During the 18th century, the price of admission was three half-pence, or the supply of a cat or dog for feeding to the lions. The animals were moved to the London Zoo when it opened.
 
Modern era
The oldest existing zoo, the Vienna Zoo in Austria, evolved from the Imperial Menagerie at the Schönbrunn Palace in Vienna, an aristocratic menagerie founded in 1752 by the Habsburg monarchy, which was opened to the public in 1765. In 1775, a zoo was founded in Madrid, and in 1795, the zoo inside the Jardin des Plantes in Paris was founded by Jacques-Henri Bernardin, with animals from the royal menagerie at Versailles, primarily for scientific research and education. The Kazan Zoo, the first zoo in Russia was founded in 1806 by the Professor of Kazan State University Karl Fuchs. The Zoological Society of London, founded in 1826 by Stamford Raffles, adopted the idea of the Paris zoo when they established the London Zoo in Regent's Park in 1828, which opened to paying visitors in 1847. Dublin Zoo was opened in 1831 by members of the medical profession interested in studying animals while they were alive and more particularly getting hold of them when they were dead. The first zoological garden in Australia was Melbourne Zoo in 1860. In the same year, Central Park Zoo, the first public zoo in the United States, opened in New York, although in 1859, the Philadelphia Zoological Society had made an effort to establish a zoo, but delayed opening it until 1874 because of the American Civil War.
 
The zoo in Thiruvananthapuram, Kerala, India is one of the oldest in the country, and was established as an adjunct to the Museum in 1857 by the erstwhile Maharaja of Travancore in order to attract more visitors. Lahore Zoo in Lahore, Pakistan was established in 1872 by a local philanthropist Lal Mahundra Ram and Lahore Municipal Corporation.
 
In 1907, the German entrepreneur Carl Hagenbeck founded the Tierpark Hagenbeck in Stellingen, now a quarter of Hamburg. It is known for being the first zoo to use open enclosures surrounded by moats, rather than barred cages, to better approximate animals' natural environments.
 
When ecology emerged as a matter of public interest in the 1970s, a few zoos began to consider making conservation their central role, with Gerald Durrell of the Jersey Zoo, George Rabb of Brookfield Zoo, and William Conway of the Bronx Zoo (Wildlife Conservation Society) leading the discussion. From then on, zoo professionals became increasingly aware of the need to engage themselves in conservation programs, and the American Zoo Association soon said that conservation was its highest priority. Because they wanted to stress conservation issues, many large zoos stopped the practice of having animals perform tricks for visitors. The Detroit Zoo, for example, stopped its elephant show in 1969, and its chimpanzee show in 1983, acknowledging that the trainers had probably abused the animals to get them to perform.

In a modern zoo, about 1 in 4 animals on display are bred in captivity. When they arrive at the zoo, the animals are placed in quarantine, and slowly acclimatized to enclosures which seek to mimic their natural environment. For example, some species of penguins may require refrigerated enclosures. Guidelines on necessary care for such animals is published in the International Zoo Yearbook.
 
Conservation and research
The position of most modern zoos in Australasia, Europe, and North America, particularly those with scientific societies, is that they display wild animals primarily for the conservation of endangered species, as well as for research purposes and education, and secondarily for the entertainment of visitors, an argument disputed by critics. The Zoological Society of London states in its charter that its aim is "the advancement of Zoology and Animal Physiology and the introduction of new and curious subjects of the Animal Kingdom." It maintains two research institutes, the Nuffield Institute of Comparative Medicine and the Wellcome Institute of Comparative Physiology. In the U.S., the Penrose Research Laboratory of the Philadelphia Zoo focuses on the study of comparative pathology. The World Association of Zoos and Aquariums produced its first conservation strategy in 1993, and in November 2004, it adopted a new strategy that sets out the aims and mission of zoological gardens of the 21st century.
 
The breeding of endangered species is coordinated by cooperative breeding programmes containing international studbooks and coordinators, who evaluate the roles of individual animals and institutions from a global or regional perspective, and there are regional programmes all over the world for the conservation of endangered species.
 
The animal rights organization People for the Ethical Treatment of Animals (PETA) and the anti-zoo campaign group Captive Animals Protection Society argue against the position of the zoos that their main purpose is to undertake research and aid in conservation, alleging that most zoo research is geared toward finding new ways to breed and maintain animals in captivity. Andrew Linzey, director of the Oxford Centre for Animal Ethics, argues that zoos make a "minuscule contribution to conservation."

In the United States, any public animal exhibit must be licensed and inspected by the United States Department of Agriculture, United States Environmental Protection Agency, Drug Enforcement Administration, Occupational Safety and Health Administration, and others. Depending on the animals they exhibit, the activities of zoos are regulated by laws including the Endangered Species Act, the Animal Welfare Act, the Migratory Bird Treaty Act of 1918 and others. Additionally, zoos in North America may choose to pursue accreditation by the Association of Zoos and Aquariums (AZA). To achieve accreditation, a zoo must pass an application and inspection process and meet or exceed the AZA's standards for animal health and welfare, fundraising, zoo staffing, and involvement in global conservation efforts. Inspection is performed by three experts (typically one veterinarian, one expert in animal care, and one expert in zoo management and operations) and then reviewed by a panel of twelve experts before accreditation is awarded. This accreditation process is repeated once every five years. The AZA estimates that there are approximately 2,400 animal exhibits operating under USDA license as of February 2007; fewer than 10% are accredited.


 


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