This listing is for Buddy Knox – Buddy Knox's Golden Hits Vinyl LP Record Album LST-7251.
Label: Liberty – LST 7251
Format: Vinyl, LP, Compilation, Stereo
Country: US
Released: 1962
Genre: Rock
Style: Rock & Roll, Rockabilly
Condition: Jacket: Very Good Vinyl: Very Good
Tracklist:
A1 Party Doll 2:07
A2 All By Myself 2:13
A3 Rock Your Little Baby To Sleep 1:57
A4 Lovey Dovey 2:11
A5 She's Gone 2:00
A6 Hula Love 2:28
B1 Ling Ting Tong 2:07
B2 Somebody Touched Me 2:02
B3 Slippin' And Slidin' 1:50
B4 Chi-Hua-Hua 2:15
B5 Open Your Lovin' Arms 2:00
B6 Dear Abby 2:18
Buddy Wayne Knox (July 20, 1933 – February 14, 1999) was an American singer-songwriter, best known for his 1957 rock & roll hit song, "Party Doll". Knox's song "Party Doll" was released on the Roulette record label, and went to number one on the Cash Box record chart in 1957 (after being picked from the tiny Triple-D label). It sold over one million copies, and was awarded a gold disc by the RIAA. This success was followed by "Rock Your Little Baby To Sleep", a number-17 hit, and "Hula Love", a number-9 hit. While he never achieved the same level of artistic success as Holly or Orbison, Knox outlived both and enjoyed a long career in music. For his pioneering contribution, Knox was elected to the Rockabilly Hall of Fame. "Party Doll" was voted one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
In the early 1960s, Knox signed with Liberty Records and released several more mainstream pop records, featuring string arrangements and backing vocalists. "Lovey Dovey" and "Ling-Ting-Tong" were the most notable recordings from this era. The sound captured on these recordings was a distinct departure from his earlier rockabilly work for Roulette. Liberty and principal record producer Snuff Garrett successfully employed the same production techniques for their other mainstream pop artists of the time, which included Johnny Burnette and Bobby Vee. In 1968, Knox, who had been living in semiretirement in Macon, Georgia, while running his publishing company, moved to Nashville, Tennessee, and signed a new recording contract with United Artists Records. Working with producer Bob Montgomery, Knox honed his traditional rockabilly style more toward the modern country sound of the day. His first album on United Artists earned him the nickname by which he would be known for the remainder of his life. The title song of the album, Gypsy Man, written by Sonny Curtis and featuring Curtis' acoustic guitar work, received airplay on country music radio stations. Several singles recorded by Knox between 1968 and 1974 were notable for his experimenting with a variety of sounds and styles, and from a creative and critical standpoint, may have been his most productive era. His version of Delaney Bramlett's "God Knows I Love You", along with his self-penned "Salt Lake City", placed Knox firmly in the midst of the new pop-music genre, being populated by artists such as Delaney & Bonnie, Eric Clapton, and others who were on the leading edge of the developing Southern rock style such as Black Oak Arkansas and the Allman Brothers Band. His cover version of James Hendricks' "Glory Train" was another stylistic stretch and featured a gospel-like chorus of backing vocalists. His cover of the Fleetwoods' "Come Softly to Me" demonstrated a vocal range not heard on his older recordings. He also reached out to the new generation of songwriters who would become prominent during Nashville's "Outlaw era" of the 1970s, as he was one of the first artists to record Mickey Newbury's "I'm Only Rockin'". Several other major country music artists later recorded this song, but under the alternate title of "T. Total Tommy". Knox also recorded songs by Alex Harvey, John D. Loudermilk, and Gary Paxton. On several of these recordings, Knox experimented with multitracking, something few artists had done up to that time. For many decades from the 1970s to the 1990s, Knox was based in the small town of Dominion City, Manitoba, Canada, and toured primarily in Western Canada and upper Midwest U.S., with occasional European appearances. In 1981, he starred in an independent Canadian movie Sweet Country Road.
CONDITION Descriptions:
I base the condition of each of my Records off of's Grading System.
• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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