14" White Marble Inlay Decorative Floor Vase for Home Decor  flowerpot, planter, planterette or plant pot


Elevate your decor with this White Marble Inlay Floor Vase, a stunning blend of craftsmanship and elegance. Featuring intricate inlaid semi-precious stones, each petal, bud, leaf, and stem is precisely shaped by hand, making this vase a timeless family heirloom that brings Mughal-inspired beauty into your home.

Size:

  • Height: 14 inches (36 cm)

Gemstone Inlays:

  1. Lapis Lazuli - Rich Blue Stone
  2. Malachite - Vibrant Green Stone
  3. Turquoise - Soft Sky Blue Stone
  4. Carnelian - Warm Orange-Red Stone
  5. Mother of Pearl - Shimmering White Stone
  6. Jasper - Earthy Brown Stone

Features:

  • Intricate Craftsmanship: This vase is crafted by artisans in Agra, India, who carefully inlay each gemstone into the marble’s curved surface, maintaining its smooth finish.
  • Statement Decor Piece: Ideal for floor display, side tables, or as a centerpiece, this vase adds a royal Mughal touch to your decor.
  • Heirloom Quality: Built to be cherished across generations, this art piece is a blend of beauty, history, and enduring value.

Care Instructions:
Clean with mild soap, water, and a soft, dry cloth to preserve the marble and stone vibrancy.

Shipping and Customization:

  • Free Global Delivery: Shipped directly to your doorstep by FedEx or DHL.
  • Customs Information: Local taxes, customs duties, or VAT are the buyer’s responsibility upon delivery.
  • Secure Packaging: Packed with export-grade materials to ensure safe arrival.
  • Customization Available: Custom sizes, shapes, and designs are available upon request. Contact us to create a unique marble floor vase that complements your decor.

Add this exquisite marble floor vase to your decor for a touch of sophistication and Mughal artistry that will be cherished for years to come.

What is Marble Inlay Work?

Marble Inlay work” is one of the most attractive art that done from marble. Same type of that adorns the Taj Mahal and other Mughal monuments.It is a closely protected traditional art and only a few expert exponents are available today. The delicate process involves cutting and engraving marble shapes manually. To start with, a predefined pattern e.g., floral design or geometrical design is engraved on the marble slab. Small pieces of marble of different shades are cut delicately to  fit in these grooves precisely. These small pieces are then slipped in the grooves. Apart from marble, many other materials can also be used.

Process of Marble Inlay Art:

Master Craftsman carefully plans a design, which is etched lightly into the marble surface and later scored out with an iron chisel. Many of the tools of the trade are basically the same as those used by the Mughals hundreds of years ago. He then decides on the colour scheme depending on the requirements of piece being created. Semi-precious stones and gems are expertly chosen to give just the right graduation in colour and shade for the overall radiance of the pattern. They are shaped and polished by means of an emery wheel. Sometimes heat treatment is applied to certain stones to get a shading effect. The effort involved in making just one single flower can often take days of work, depending on the detail; it is not unusual to be designed from hundreds of different slices of stone. There are many varieties of coloured stone available for utilisation in marble inlay work: malachite, carnelian, jasper, mother of pearl, abalone shell, lapis lazuli, agate, coral, turquoise and tiger eye to name just a few. The grooves are filled with their precisely corresponding shapes of coloured stone and secured in place with a white putty made from oil, lead oxide and wax. Once the design is completely dry, the piece is polished with a mixture of sand, water and emery paper to give a shiny smooth finish.

History of Inlay Art:

Inlay work on delicate precious stone began in the workshops of Florence in Italy around the end of the 16th century. This was known as PIETRA DURA.(Pietra= Stone, Dura= Hard) The Italians had created a classic artistic form and held a monopoly over it. From 1630 onwards pietra dura appeared on moveable, small objects as decorative panels, with bird and flower motifs, suitable for cabinet fronts and table tops. Some of these soon reached the Mughals in the form of presents. Of all the Mughal Emperors, Shah Jahan was the greatest patron of architecture in India. For him no amount of money or time was too much to create enduring, everlasting architectural beauty and through it be remembered always. It is in his buildings that one feels most compelled to make the connection between Mughal art and pietra dura. The Taj Mahal, the cenotaphs of the Emperor and his wife, the main floor and the surrounding marble railings bear very close resemblances to the pietra dura form.


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  • 5_17bd71de-1606-4ef0-87f4-e03d607524b0

    Well Crafted


  • 6_926af701-6e6e-42f0-b300-740c2401428a

    Classic Design


  • 7_ede3591f-6c10-4a01-8ea1-23833b5db714

    Premium Quality


  • 8_fb9417dd-3979-48f3-8296-b3c44b3a00b3

    Easy to Install


  • 9_5b3332a8-5b24-43a8-a966-e929b06c4f7b

    Best Gift


  • 10_cd3fc2d4-6611-4a21-93b5-c752258b0e02

    Sturdy Build Material