This listing is for Dionne Warwick – Valley Of The Dolls Vinyl LP Record Album SPS-568.

Label: Scepter Records – SPS 568, Scepter Records – SPS-568

Format: Vinyl, LP, Album

Country: US

Released: Mar 17, 1968

Genre: Jazz, Funk / Soul, Pop, Stage & Screen

Style: Soundtrack, Vocal, Soul, Ballad, Easy Listening  

Condition:   Jacket:  Very Good            Vinyl:   Very Good

Tracklist:

A1 As Long As There's An Apple Tree 2:05

A2 Up, Up And Away 2:38

A3 You're My World 3:05

A4 (Theme From) Valley Of The Dolls 3:35

A5 Silent Voices 3:07

B1 Do You Know The Way To San Jose 2:50

B2 For The Rest Of My Life 3:07

B3 Let Me Be Lonely 3:35

B4 Where Would I Go 2:40

B5 Walking Backwards Down The Road 2:54

Dionne Warwick in Valley of the Dolls is the title of Dionne Warwick's ninth album for the Scepter label. It was recorded during the summer and fall of 1967 and was released early the next year in March 1968. It was recorded at A&R and Bell Sound Studios in New York City and was produced by Burt Bacharach and Hal David. The album's lead single was the title track, "(Theme from) Valley of the Dolls", from the film of the same name. The song was written by André Previn and Dory Previn, and had initially been intended for Judy Garland before she was fired from the film. At the urging of one of the film's stars, Barbara Parkins, the song was given to Warwick. Warwick's Scepter version of the song, however, differed from the John Williams version included in the film. This was because Warwick was signed to Scepter, and the soundtrack was released on 20th Century Records.

Warwick was only permitted to appear on the film's actual soundtrack and not the soundtrack album recording. The Dionne Warwick single peaked at #2 on the Billboard Hot 100 for four weeks in February 1968, at #2 on the Cash Box and #1 on the Record World charts during the spring of 1968. The LP was issued as number 568 in the Scepter Catalog. The cover art for this LP features Warwick on a black background, in an evening gown next to a director’s chair. The LP would then yield Warwick's next big hit and first Grammy Award winner, "Do You Know the Way to San Jose". The song, (which Warwick didn't initially like, according to Robin Platts in the book, Burt Bacharach & Hal David) would peak at #10 on the Billboard Hot 100 and become one of Warwick's signature songs. "Do You Know the Way to San Jose" also became one of Warwick's biggest international hits, selling over 3,500,000 copies. Other notable songs on the LP were "Silent Voices" (which under its original Italian title, "La Voce Del Silenzio", had been Warwick's entry into the 1968 San Remo Song Festival), "Walking Backwards Down the Road", "Up, Up, and Away", and "You're My World" — another Italian song (written by Umberto Bindi, famous Genoa's songwriter) the latter having been a British #1 hit for Cilla Black, and "Let Me Be Lonely", the B side of the single "Do You Know the Way to San Jose", which charted on Billboard Hot 100 Singles Chart, becoming one of several double sided hits for Warwick during the 1960s. The album became an RIAA-certified gold record and peaked at #6 on the Billboard 200 album chart, #2 on the Billboard R&B Albums chart and #10 on the UK Albums Chart; the album would remain on the Billboard 200 for over a year and remains her highest-charting album on the chart. 

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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