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TITLE: METROPOLITAN OPERA NEWS (with program)
[RARE and interesting magazine and program issued by the Metropolitan Opera Guild.]
ISSUE DATE:
MAY 2003 VOL 67, No. 11
CONDITION: Magazine size: Approx 8OE" X 11". COMPLETE and in VERY GOOD condition.(See photo)
IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
COVER: Mezzo Angelica Kirchschlager has become one of Austria's star exports. Brian Kellowf interview begins on page 14 Photographed in Baden, Austria, by Johannes Ifkovits.
Issued weekly during the Opera Season and fortnightly in the Spring and Fall by
THE METROPOLITAN OPERA GUILD 654 MADISON AVENUE, NEW YORK, N. Y.
FEATURES:
Articles and full program listings, including photos from the production!
ANGELIKA'S ART It doesn't flash, but it sure glows. BRIAN KELLOW appraises the radiant artistry of Angelika Kirchschlager.
VIENNA'S CROOKED SMILE JAN MORRIS reflects on the disquieting charms of the Austrian capital.
AUSTRIAN ALBUM The sights and sensations of Vienna and Salzburg, captured by GREGORY DOWNER.
UNEASY UNION JORG VON UTHMANN looks at Austria's singular relationship with Germany, past and present.
QUICK-CHANGE ARTIST Conductor Frederic Chaslin thrives on the high-pressure atmosphere of the Wiener Staatsoper. MARTIN BERNHEIMER reports.
A PROBLEM LIKE MARIA What? The Sound of Music was fiction? ERIC MYERS discovers the real woman behind the legend of Maria von Trapp.
RETURN TO THE CITY OF DREAMS More than a half-century ago, Julius Rudel fled Vienna, just ahead of the darkening skies of World War II. Last winter, the conductor retraced the steps that took him out of Europe to a better life in the U.S. His son, ANTHONY RUDEL, shared the journey with him.
JACOBEAN DRAMA The dynamic, adventurous and opinionated maestro Rene Jacobs takes questions from PATRICK GILES.
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