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TITLE: METROPOLITAN OPERA NEWS (with program)
[RARE and interesting magazine and program issued by the Metropolitan Opera Guild.]
ISSUE DATE: OCTOBER 2002 VOL. 67 NO. 4
CONDITION: Magazine size: Approx 8OE" X 11". COMPLETE and in VERY GOOD condition.(See photo)

IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17


COVER: Despite a shrinking CD marketplace, Anne Sofie von Otter's recording career is thriving. David J. Baker's interview with the mezzo-soprano begins on page 16. Photographed at the Clinton Recording Studios in Manhattan by Marty Umans.

Issued weekly during the Opera Season and fortnightly in the Spring and Fall by THE METROPOLITAN OPERA GUILD 654 MADISON AVENUE, NEW YORK, N. Y.

FEATURES:
Articles and full program listings, including photos from the production!
VOICE OF DISTINCTION With two solo CDs and three complete operas to her credit this year, Anne Sofie von Otter is one of the rare success stories in today's troubled classical-recording market. DAVID J. BAKER talks to the mezzo whose repertory extends from Carmen to Elvis Costello.

DREAM PLAYS What would your ideal opera CD be? A new recording of a neglected classic? The original cast of a recent premiere? WILLIAM R. BRAUN polls OPERA NEWS's recordings critics.

A FRESH TAKE LOUISE T. GUINTHER sits in on some recording sessions for a new album of arie antiche by tenor Ramon Vargas.

UNDERCOVER BLUES Disguised as a neophyte CD consumer, JOANNE SYDNEY LESSNER tries her luck shopping in some of Manhattan's biggest classical-music retailers.

WINDOWS SHOPPING Veteran record-collector ALAN WAGNER discovers the pleasures and the pain -- of shopping for CDs on-line.

BLASTS FROM THE PAST Some of the voices from recording's early years sound less than t orret t by today's standards, but WILLIAM R. DUNLOP doesn't care.


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