Item description for Bobby Sherman – Portrait Of Bobby Vinyl LP Record Album KMD-1040

Robert Cabot Sherman Jr. (born July 22, 1943), known professionally as Bobby Sherman, is an American singer, actor and occasional songwriter who became a teen idol in the late 1960s and early 1970s. He had a series of successful singles, notably the million-seller "Little Woman" (1969). Sherman retreated from his show business career in the 1970s for a career as an EMT and a deputy sheriff, though he occasionally performed into the 1990s. In 1962, Sal Mineo wrote two songs for Sherman as well as arranging for Sherman to record the songs. In 1964, when Mineo asked Sherman to sing with his old band at a Hollywood party (where many actors and agents were in attendance), Sherman was signed with an agent and eventually landed a part on the ABC television show Shindig! as a regular cast member/house singer.

Sherman made several records with Decca and another smaller label and was featured in teen magazines. In early 1968, he was selected for the role of the bashful, stammering logger, Jeremy Bolt, in the ABC television series Here Come the Brides (1968-1970). As of 1970, Bobby Sherman had received more fan mail than any other performer on the ABC-TV network. Sherman appeared on an episode of Honey West entitled "The Princess and the Paupers" as a kidnapped band member and an episode of The Monkees entitled "Monkees at the Movies", playing a pompous surfer/singer named Frankie Catalina in the vein of Frankie Avalon, performing the song "The New Girl in School" (the flip of Jan & Dean's "Dead Man's Curve"). Sherman released 107 songs, 23 singles and 10 albums between 1962 and 1976. In his recording career, he earned seven gold singles, one platinum single, and five gold albums. He had a career total of seven top 40 hits. In 1969, he signed with Metromedia Records. In May 1969, he released the single "Little Woman", which peaked at #3 on the Billboard Hot 100 chart (#2 in Canada) and spent nine weeks in the Top 20. It sold over one million copies and was awarded a gold disc by the R.I.A.A. in October 1969.

His other hits were "Julie, Do Ya Love Me" (US #5/AC #2) (Canada #3) (Australia #3) (written by Tom Bahler), "Easy Come, Easy Go" (US #9/AC #2) (Canada #6), "Jennifer" (US #60/AC #9) (Canada #32), "La La La (If I Had You)" (US #9/AC #14) (Canada #7), and "The Drum" (US #29/AC #2) (Canada #7) (written by Alan O'Day). Some of these songs were produced by Jackie Mills, a Hollywood record producer, who also produced the Brady Bunch Kids. In Canada, "Hey, Mister Sun" reached #19, "Cried Like a Baby" reached #10, and "Waiting At The Bus Stop" reached #31. "La, La, La," "Easy Come, Easy Go," and "Julie, Do Ya Love Me" all sold in excess of a million copies and garnered further gold discs for Sherman. "Julie, Do Ya Love Me" was Sherman's sole excursion in the UK Singles Chart, where it peaked at #28 in November 1970. The song competed there for chart space with White Plains' cover version, which eventually placed higher at #8. Sherman toured extensively through the United States and the world in support of his records and albums. He gave many concerts to sellout crowds of mostly screaming young women from the late 1960s to the mid-1970s. The screaming of the young women was so loud that Sherman experienced hearing loss.

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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