This listing is for Mahjongg – Kontpab Vinyl LP Record Album KLP 191.

Label: K – KLP 191, K – K=L=P=1=9=1
Format: Vinyl, LP, Album
Country: US
Released: 2008
Genre: Electronic, Rock, Funk / Soul
Style: Leftfield, Garage Rock, Electro, Punk  

Condition:   Jacket:     Very Good         Vinyl:  Very Good

Tracklist:

A1 Pontiac 5:47
A2 Problems 4:54
A3 Kottbusser Torr 5:08
A4 Tell The Police The Truth 5:14
B1 Those Birds Are Bats 3:09
B2 Wipe Out 3:37
B3 Teardrops 3:07
B4 Mercury 3:01
B5 Rise Rice 8:30

Mahjongg was a band based in Columbia, Missouri and Chicago, Illinois. Formed by multi-instrumentalist Hunter Husar and guitarist Jeff Carrillo in 2001, their sound combined guitar, synthesizer and computer manipulations with dense rhythmic textures derived from Afrobeat, funk, and post-punk. Mahjongg released three full-length albums: Raydoncong (2005), Kontpab (2008) and The Long Shadow of the Paper Tiger (2010). They performed at the Pitchfork Music Festival and the Off Festival in Myslowice, Poland. In December 2010 they played the All Tomorrow's Parties Festival curated by Godspeed You! Black Emperor. 

Mahjongg was formed in Columbia, Missouri in 2001 by University of Missouri students Hunter Husar and Jeff Carrillo. Drummer Josh Johannpeter and violinist/multi-instrumentalist Caryl Kientz joined the band later that year, and bassist Gabe Vijles was recruited just prior to a 2002 tour. In 2004 Mahjongg released the EP Machinegong on Cold Crush Records, a label co-run by Pretty Girls Make Graves bassist Derek Fudesco. Fudesco had been so impressed by Mahjongg's demo that he signed the band without having seen them perform. That same year Mahjongg relocated to Chicago, Illinois, becoming part of the "Columbia Diaspora" which included bands such as Cave, Warhammer 48K, Londo Mondo and Waterbabies. Their first full-length album, Raydoncong, was released on Cold Crush in 2005.

Both Machinegong and Raydoncong received positive reviews, and in 2008 Mahjongg released their second album Kontpab on K Records. The title is a portmanteau of avant-garde composer Karlheinz Stockhausen's "Kontra-Punkte" and the breakfast cereal Pablum. Vijles and Kientz left the band upon the release of Kontpab, to be replaced by Mikale De Graff and Dan Quinlivan. Carrillo moved to Nashville in 2008 and quit the band in 2009. In 2008 Mahjongg released the single "Free Grooverider", which the band characterized as a protest song. Grooverider is a prominent drum 'n' bass DJ and producer who in 2008 was sentenced to four years imprisonment in Dubai for possessing marijuana.

From its inception, Mahjongg sought to break from post-punk conventions, incorporating Afrobeat rhythms, samples, dissonance and glitch into its sound. Everyone in the band sang, and Husar, De Graff and Quinlivin shared duties on synthesizer, computer manipulation, guitar and ancillary percussion. With the departure of principal guitarist Carrillo, the band moved towards a more dance-oriented sound. Their 2010 album Long Shadow of the Paper Tiger featured less guitar work and was more reliant on electronics and elements of techno and house music. Mahjongg has collaborated with recording engineer Benjamin Balcom since 2003. Together they built a studio called Minbal which opened in February 2009. Mahjongg played their last show with members De Graff, Quinlivan, and former guitarist Carrillo as part of the BitchPork festival on July 16, 2011. Founding members Hunter Husar and Josh Johannpeter formed a new two piece band in 2015 called "HUJO".



CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 


• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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