This listing is for Melissa Manchester – Melissa Manchester Vinyl LP Record Album AL 9506.
Label: Arista – AL 9506
Format: Vinyl, LP, Album
Country: US
Released: 1979
Genre: Funk / Soul, Pop
Style: Disco, Ballad
Condition: Jacket: Very Good Vinyl: Very Good
Tracklist:
A1 Pretty Girls 3:50
A2 Fire In The Morning 3:49
A3 Don't Want A Heartache 3:46
A4 When We Loved 4:10
A5 It's All In The Sky Above 4:15
B1 How Does It Feel Right Now 3:54
B2 Whenever I Call You Friend 4:42
B3 Holdin' On The Lovin' 3:21
B4 I Know Your Love Won't Let Me Down 2:49
B5 Lights Of Dawn 3:29
Melissa Manchester is the self-titled and the eighth album release by singer-songwriter Melissa Manchester issued on Arista Records the first week of October 1979. Although it was reported in August 1979 that Manchester was recording a followup to her 1978 album release Don't Cry Out Loud album with the title cut's producer Harry Maslin at Cherokee Studios the tracks on the Melissa Manchester album were all recorded at Web IV Studios in Atlanta in September 1979 with local producer Steve Buckingham, who had had massive success with the first single he'd produced: "I Love the Nightlife" by Alicia Bridges. Buckingham recalls that when the success of the Bridges single failed to secure him offers for further production work he began cold calling record companies, and that Arista Records was the second label he called: resulantly Buckingham met with Arista president Clive Davis in New York City and, after four hours of appraising tracks Davis played for him, Buckingham was told by Davis: "If you have a hit song, call us." After Buckingham sent Davis the demo for the song "Fire in the Morning", Davis assigned Buckingham to produce Manchester's eighth album.
Following Manchester's 1977 cover album Singin'... and the 1978 album Don't Cry Out Loud which was mostly original material (despite the Top Ten hit title cut not being written by Manchester), the Melissa Manchester album featured five Manchester originals and five tracks of outside material. The songs written by Manchester included two collaborations with Carole Bayer Sager who had been Manchester's regular lyricist for over five years: the tracks "It's All in the Sky Above" and "How Does It Feel Right Now", and also "I Know Your Love Won't Let Me Down" which reunited Manchester with lyricist Adrienne Anderson a regular collaborator in the first phase of Manchester's recording career, while "Lights of Dawn" - written by solely by Manchester - featured a newly written lyric to the tune of a song written and set aside five years ago. The Melissa Manchester album also featured Manchester's own version of the Kenny Loggins hit she'd co-written: "Whenever I Call You Friend", which Manchester recorded as a duet with Arnold McCuller.
Despite the favorable impression the track had made on Davis, "Fire in the Morning" was passed over for lead single with "Pretty Girls" being released three weeks prior in advance of the album. "Pretty Girls" was the first upbeat single to preview a Melissa Manchester album and besides its standard 7" inch 45 issue the track served as Manchester's extended dance single debut. Although Manchester would have her biggest hit with the dance track "You Should Hear How She Talks About You" in 1982, her first foray into disco music with "Pretty Girls" barely translated into Top 40 success as the single peaked at #39 on the Billboard Hot 100. "Fire in the Morning" was released as the second single and fared well in the easy listening market which had been the mainstay of Manchester's support, the track - featuring Paul Davis on harmony vocals - reaching #8 on the A/C without significantly boosting Manchester's Top 40 profile, as it's Hot 100 peak was #32. Without producing a Top 30 single, the Melissa Manchester album evidenced a drop in the singer's popularity from the precedent Don't Cry Out Loud album, with Melissa Manchester peaking at #63 as opposed to #33. However Manchester would re-team with producer Steve Buckingham for the subsequent For the Working Girl album (1980) before scoring a 1982 comeback with the Hey Ricky album and the #5 single "You Should Hear How She Talks About You" produced by Arif Mardin. Neither of the singles from the Melissa Manchester album was featured on Manchester's 1983 Greatest Hits album: the last-named did feature the Melissa Manchester track "Whenever I Call You Friend". The 2007 reissue of the Melissa Manchester album by Wounded Bird Records augmented the original track listing with three bonus tracks: the single mix of "O Heaven (How You've Changed Me)" (which was later re-recorded in a different style for the singer's 1974 album Bright Eyes), "We Had This Time" which was the B-side of the "Don't Cry Out Loud" single, and "Nice Girls" a Steve Buckingham composition introduced on Manchester's 1983 Greatest Hits album ("Nice Girls" had charted at #41).
CONDITION Descriptions:
I base the condition of each of my Records off of's Grading System.
• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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