This listing is for Chicago - Hot Streets Vinyl LP Record Album FC 35512.
Label: Columbia – FC 35512
Format: Vinyl, LP, Album, Gatefold, Terre Haute Pressing
Country: US
Released: 02 Oct 1978
Genre: Rock
Style: Pop Rock, Soft Rock
Condition: Jacket: Very Good Vinyl: Very Good
Tracklist:
A1 Alive Again 4:17
A2 The Greatest Love On Earth 3:43
A3 Little Miss Lovin' 4:32
A4 Hot Streets 5:12
A5 Take A Chance 4:35
B1 Gone Long Gone 3:55
B2 Ain't It Time 4:08
B3 Love Was New 3:32
B4 No Tell Lover 4:15
B5 Show Me The Way 3:18
Hot Streets is the tenth studio album (twelfth overall) by the American band Chicago, released in 1978. In many ways, Hot Streets marked the beginning of a new era for the band, turning to disco music, a move which would be derided in retrospect. This was the band's first album with all-new material released since their second that did not have a numbered title. It was also the first album not to feature original guitarist/vocalist Terry Kath, who died from an accidental self-inflicted gunshot wound in January 1978. He was replaced by Donnie Dacus on this album.
Having worked with James William Guercio since their 1969 debut, Chicago decided to part ways with the producer following the release of Chicago XI in 1977. However, a bigger change for the group was the death of guitarist Terry Kath in January 1978, who unintentionally shot himself at a roadie's house while playing with one of his guns. The members of the band were devastated by his death, and considered breaking up. Kath was one of the key players who most defined the rhythmic sound of the band. After the initial shock waned, the group decided that they still had something to offer musically, and carried on.
Phil Ramone, who had mixed some of their earlier albums, was called upon to co-produce their new effort. But before Chicago could begin recording, they had to contend with the difficult process of finding a new guitarist. Accomplished guitarist Donnie Dacus was chosen, bringing his own distinctive style to the group's music. Prior to joining Chicago, Dacus had worked with both Roger McGuinn and Stephen Stills.
Recording sessions took place both in Miami and Los Angeles that spring, after years of working at Guercio's Caribou Ranch in Colorado. By the end of the sessions, the band felt as though they were still in a strong musical position even after the loss of Kath. Recording the album Spirits Having Flown next door at the same Miami studio, some of the tracks featured the Bee Gees and their keyboardist, Blue Weaver. The Gibb brothers added vocals to the song "Little Miss Lovin'" while Weaver added synthesized strings to "No Tell Lover" and "Show Me The Way". In turn, Chicago's horn section played on Spirits Having Flown, most notably on the hit single "Too Much Heaven".
To mark their new beginning, the band broke with tradition by giving their album a title, rather than a number. Having chosen the title Hot Streets, the album cover featured a picture of the band (shot by photographer Norman Seeff) rather than just the group logo. Because a later marketing survey noted that consumers expected to see the logo on the cover, Chicago's logo returned in the form of a high-rise building for the follow-up album, Chicago 13.
The album was released in October 1978, preceded by a release of the lead single "Alive Again". Hot Streets was another hit for the group, who had been concerned that the public might not accept them without Kath. Although the album went platinum, and Chicago scored a second top-twenty hit with "No Tell Lover", Hot Streets was the first Chicago album since their debut that failed to reach the US Top 10; fittingly, the band's twelfth album peaked at #12.
Following the release of Chicago 13 and at the end of the Christmas 1979 tour, Dacus would be released from the group, bringing his short tenure with Chicago to an abrupt end.
CONDITION Descriptions:
I base the condition of each of my Records off of's Grading System.
• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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