Gatefold Cover is +G (shelf wear)
Records are G+
Labels are very clean

Visually Graded

Tracklist

Side 1
1        When The Lovelight Starts Shining Through His Eyes    2:38
2        Where Did Our Love Go    2:30
3        Ask Any Girl    2:44
4        Baby Love    2:34
5        Run, Run, Run    2:20

Side 2
1        Stop! In The Name Of Love    2:53
2        Back In My Arms Again    2:52
3        Come See About Me    2:38
4        Nothing But Heartaches    2:57
5        Everything Is Good About You    2:57

Side 3
1        I Hear A Symphony    2:38
2        Love Is Here And Now You're Gone    2:45
3        My World Is Empty Without You    2:32
4        Whisper You Love Me Boy    2:40
5        The Happening    2:50

Side 4
1        You Keep Me Hangin' On    2:40
2        You Can't Hurry Love    2:45
3        Standing At The Crossroads Of Love    2:28
4        Love Is Like An Itching In My Heart    2:55
5        There's No Stopping Us Now    2:56

The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100.  Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their success made it possible for future African American R&B and soul musicians to find mainstream success.

Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, the original group, are all from the Brewster-Douglass public housing project in Detroit.  They formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations).  Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as The Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson carried on as a trio.

During the mid-1960s, the Supremes achieved mainstream success with Ross as lead singer and Holland-Dozier-Holland as its songwriting and production team. In 1967, Motown president Berry Gordy renamed the group Diana Ross & the Supremes, and replaced Ballard with Cindy Birdsong.