Supported by a system similar to that of Stark's classic Iron Man design, the Iron Spider costume features many gadgets, including three mechanical spider-arms, or "waldoes," that can be used to see around corners (via cameras in the tips) and to manipulate objects indirectly. Stark describes them as too delicate to use in combat, yet Spider-Man shortly afterward uses them to smash through the sensors in Titanium Man's helmet.

Other features include short-distance gliding capability, limited bulletproofing, built-in fire/police/emergency scanner, audio/visual amplification (including infrared and ultraviolet), cloaking device, carbon filters to keep out airborne toxins, and a short-range GPS microwave communication system. It grants the ability to breathe under water, and can morph into different shapes due to its "'smart' liquid metal" form. It can also "more or less disappear" when not needed due to reactions to neurological impulses as Tony Stark revealed. The new costume is able to look like other styles of costumes Spider-Man has worn over the years or turn into his street clothes. Part of the costume can detach itself from Spider-Man to cover an object too dangerous to touch, such as a radioactive asteroid. All these features are controlled by a computer system in the chest piece. The suit responds to mental control.

The Iron Spider armor appears in films set in the Marvel Cinematic Universe. This version's appearance sports a more "classic" look than that of the comics, with dark red and blue tones throughout, as well as gold highlights. Additionally, the armor uses nanotechnology that allows Peter Parker / Spider-Man to survive at high altitudes and on alien worlds and features a set of four mechanical legs that sprout from the back.

It first appears briefly in Spider-Man: Homecoming (2017), wherein Tony Stark offers Parker the suit and membership into the Avengers, though Parker declines both.
The armor returns in Avengers: Infinity War (2018), wherein Stark uses it to save Parker after he falls from Ebony Maw's Q-ship and into Earth's atmosphere. Parker uses the suit for the rest of the film while helping Stark, Doctor Strange, and the Guardians of the Galaxy fight Thanos until most of the heroes become victims of the Blip.
The armor returns in Avengers: Endgame (2019) when Parker and the Blip's other victims are resurrected and join the Avengers' battle against an alternate timeline version of Thanos.
The armor briefly returns in the opening of Spider-Man: Far From Home (2019), though Parker leaves it at home in favor of focusing on his social life and going on a European school trip.
The armor returns in Spider-Man: No Way Home, during which Parker uses it to fight Otto Octavius, who tears a chunk of nanotechnology off of Parker and merges it with his mechanical tentacles, though Spider-Man uses this to defeat him. After Octavius receives a new inhibitor chip, he returns the Iron Spider suit to Parker.

Michael Layne Turner (April 21, 1971 – June 27, 2008) was an American comics artist known for his work on Witchblade, Fathom, Superman/Batman, Soulfire, and various covers for DC Comics and Marvel Comics. He was also the president of the entertainment company Aspen MLT.

Turner died June 27, 2008, at the Santa Monica Hospital in Santa Monica, California, of complications from bone cancer. He is survived by his mother Grace Crick, his brother Jake Turner, and his fiancée Kelly Carmichael. Fathom vol. 3 #1, which was published on Wednesday, August 6, 2008, featured a tribute to Turner in the form of a stylized blue ribbon in the upper right hand corner of its cover, and its first page was a memorial to him. AspenMLT also published a trade paperback collection of writings from people who knew Turner, titled A Tribute to Michael Turner, which features a cover painted by Alex Ross. Volume #21 of The Boys included a page dedicated to Michael Turner as well.

David Maisel helped plan the Marvel Cinematic Universe from an office above a Beverly Hills auto dealership, where a then-upstart Marvel Studios was headquartered. A decade after leaving his post as founding chairman of the studio, Maisel has been planning his next cinematic superhero universe from home over Zoom, as he hunkers down amid the pandemic.

In 2018, Maisel formed Mythos Studios with A-list music manager Scooter Braun. Mythos took a 50 percent stake in Aspen Comics, the company founded by late artist Michael Turner and has been hard at work developing a slate of animated films based on Turner’s comics, including the environmentally themed Fathom and the magic-centered Soulfire.

Mythos has used 2020 finishing scripts and collaborating on visual development with TurnerVerse directors Joe Ksander and Kevin Adams, along with Peter Jackson’s Weta, which is also working on the films.

“It will be really fun to go to these movies and once a year be able to be in Michael Turner’s world,” Maisel tells The Hollywood Reporter. “That’s the dream".

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