This listing is for The Manhattan Transfer – The Manhattan Transfer Vinyl LP Record Album SD-18133.

Label: Atlantic – SD 18133

Format: Vinyl, LP, Album, Stereo

Country: US

Released: Apr 2, 1975

Genre: Jazz

Style: Big Band, Swing, Vocal, Easy Listening  

Condition:   Jacket:    Very Good          Vinyl:   Very Good

Tracklist:

A1 Tuxedo Junction 3:03

A2 Sweet Talking Guy 2:25

A3 Operator 3:09

A4 Candy 3:26

A5 Gloria 2:57

A6 Clap Your Hands 2:55

B1 That Cat Is High 2:53

B2 You Can Depend On Me 3:30

B3 Blue Champagne 2:21

B4 Java Jive 2:44

B5 Occapella 3:04

B6 Heart's Desire 2:36

The Manhattan Transfer is the second album by The Manhattan Transfer. However, it is the first of four albums to be released by the lineup of Tim Hauser, Laurel Massé, Alan Paul, and Janis Siegel, and the first to establish the sound and style for which the group would become known. It was released on April 2, 1975, by Atlantic Records and was produced by Ahmet Ertegün and Tim Hauser. This incarnation of the group had been together for three years before this album was released. Ertegün, founder and chairman of Atlantic, attended one of their performances at the New York City cabaret Reno Sweeney. He offered them a contract, which they accepted. Shaun Considine reviewed the album in May 1975 for The New York Times:

The Manhattan Transfer debuted on Billboard's Top Pop album chart on May 3, 1975, reaching #33. The single "Operator" went to #22 on Billboard's Hot 100 singles chart. "Tuxedo Junction" reached #24 on the British pop charts.

CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 

• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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