This listing is for Sammy Kaye – Sammy Kaye Plays Strauss Waltzes For Dancing Vinyl LP Record Album CL-1236.
Label: Columbia – CL 1236
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1959
Genre: Jazz
Style: Easy Listening
Condition: Jacket: Very Good Vinyl: Very Good
Tracklist:
A1 Tales From The Vienna Woods
A2 Wine, Women And Song
A3 Artist's Life
A4 Waltzes From ''Die Fledermaus''
A5 A Thousand And One Nights
A6 Vienna Life
B1 Blue Danube Waltz
B2 Sweetheart Waltz
B3 Kiss Waltz
B4 Voices Of Spring
B5 Roses From The South
B6 Emperor Waltz
Sammy Kaye (born Samuel Zarnocay Jr.; March 13, 1910 – June 2, 1987) was an American bandleader and songwriter, whose tag line, "Swing and Sway with Sammy Kaye", became one of the most famous of the Big Band Era. The expression springs from his first hit single in 1937, "Swing and Sway" (U.S. #15). His signature tune was "Harbor Lights", a number-one hit from late 1950. Kaye was posthumously inducted into the Big Band and Jazz Hall of Fame in 1992, and for his contribution to the recording industry has a star on the Hollywood Walk of Fame.
Kaye, born in Lakewood, Ohio, United States, graduated from Rocky River High School in Rocky River, Ohio. At Ohio University in Athens, Ohio he was a member of Theta Chi fraternity. Kaye could play the saxophone and the clarinet, but he never featured himself as a soloist on either one. A leader of one of the so-called "Sweet" bands of the Big Band Era, he made a large number of records for Vocalion Records, RCA Victor, Columbia Records, Bell Records, and the American Decca record label. He was also a hit on radio. Kaye was known for an audience participation gimmick called "So You Want to Lead a Band?" where audience members would be called onto stage in an attempt to conduct the orchestra, with the possibility of winning batons. Kaye was also known for his use of "singing of song titles", which was emulated by Kay Kyser and Blue Barron. Shortly after the Japanese attack on December 7, 1941, Sammy Kaye wrote the music and Don Reid wrote the words to "Remember Pearl Harbor", the tune of which was based on Ohio University's "Alma Mater". On December 17, 1941, RCA Victor recorded the song, with Sammy Kaye's Swing and Sway Band and The Glee Club. His band members included Ralph Flanagan. Singers included Don Cornell (not related to Dale Cornell), Billy Williams (the country music singer with the Pecos River Rogues), Tommy Ryan, Gary Willner, Barry Frank, Tony Russo, and Nancy Norman. All members of the band sometimes sang backing vocals in various combination as the "Kaydets". Although his musicians were always competent, the jazz critic George T. Simon described them as "magnificently trained and exceedingly unoriginal".
CONDITION Descriptions:
I base the condition of each of my Records off of's Grading System.
• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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