This listing is for Dominic Frontiere – Hang 'Em High (Original Motion Picture Score) Vinyl LP Record Album UAS-5179.
Label: United Artists Records – UAS 5179
Format: Vinyl, LP, Album
Country: US
Released: 1968
Genre: Stage & Screen
Style: Soundtrack, Score
Condition: Jacket: Very Good Vinyl: Very Good
Tracklist:
A1 Hang 'Em High 2:56
A2 Rachel (Love Theme) 3:00
A3 Tumbleweed Wagon 4:15
A4 Bordello 1:37
A5 I'll Get 'Em Myself 3:00
B1 Rachel (Love Theme) 2:34
B2 Hang 'Em High (Reprise) 2:02
B3 It's No Deal 3:25
B4 They Took Me 3:00
B5 Hang 'Em High 2:56
Dominic Carmen Frontiere (June 17, 1931 – December 21, 2017) was an American composer, arranger, and jazz accordionist. He composed the theme and much of the music for the first season of the television series The Outer Limits, as well as the theme song for The Rat Patrol. After a period with The Horace Heidt Orchestra in the late 1940s and early 1950s, Frontiere moved to Los Angeles, where he enrolled at University of California, Los Angeles. He eventually became musical director at 20th Century Fox. He scored several films under the tutelage of Alfred and Lionel Newman, while also recording jazz music. He composed the music for two exotica LP records Pagan Festival (1959) and Love Eyes, The Mood of Romance (1960).
An association with director and producer Leslie Stevens began with Frontiere scoring The Marriage-Go-Round (1961). This association led to several projects, such as his innovative blend of music and sound effects for The Outer Limits. He composed several famous television themes of the 1960s, such as those for The Rat Patrol, Branded, The Flying Nun, and for producer Quinn Martin The Invaders, The Fugitive, and 12 O'Clock High. After scoring for television shows, he went on to compose the music for the Clint Eastwood film Hang 'Em High. The title theme for that movie became a top-10 hit for the group Booker T. & the M.G.'s. He also composed the soundtrack to the 1971 motorcycle documentary On Any Sunday, which featured Steve McQueen and was directed by Bruce Brown. Frontiere became head of the music department at Paramount Pictures in the early 1970s, where he again worked on television and film scores, while concurrently orchestrating popular music albums for, among others, Chicago. Examples of Frontiere's sweeping, cinematic orchestrations appear in the opening and closing songs of the 1977 album Nether Lands by Dan Fogelberg. He won a Golden Globe Awards for the score to the 1980 film The Stunt Man. He also composed a jingle for the studio's television division. Frontiere composed a theme for the lion Togar that was featured in the film Roar. Stunt Man director Richard Rush's son Tony Rush served as camera assistant on Roar.
CONDITION Descriptions:
I base the condition of each of my Records off of's Grading System.
• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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