TITLE: AMERICAN ARTIST Magazine
[Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: NOVEMBER 2006; Vol. 70,. No. 770
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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COVER: The Clove From Haines Falls (detail), by JAMES GURNEY, 2004, oil, 24 a 20. Private collection.

FEATURED ARTISTS and ARTICLES include:
Painting Loving Mothers and Their Children, BY M. STEPHEN DOHERTY, Californian BRENDA LEE GIBSON, the winner of the 2005 American Artist Art Methods & Materials Show juried competition, began her training later than most artists, but she relies on her dedication and her understanding of mothers and children to create captivating oil paintings.

Painting the World as a Feast, BY JOHN A. PARKS, Traditionally trained artist SARAH LAMB uses her passion for the kitchen to bring a new vitality to the art of the still life.

Turning Energetic Underpaintings Into Refined Still Lifes, BY JOHN R. KEMP, Still-life artist BENJAMIN SHAMBACK believes an energetic underpainting gives life to his carefully refined oil works on metallic surfaces.

Fact & Fantasy: The Paintings of JAMES GURNEY, BY JOHN A. PARKS, This New York state plein air artist creates impressive landscape 76 paintings informed by his work as an illustrator and inspired by the78 1 work of the Hudson River School.

Animals, Reimagined, BY LYNNE MOSS PERRICELLI, New York sculptor IMMI STORRS establishes the basic anatomy of her animal subjects before allowing her imagination take over.

Painting the Same Subject to Learn More About Light & Color, BY LINDA GOTTLIEB AND M. STEPHEN DOHERTY, LEE BOYNTON, a master of Impressionistic watercolor painting, explains how to learn more about color and value by simplifying your subject and painfing it repeatedly under different light conditions.

Using Contras, ts to Make Landscapes More Believable BY M. STEPHEN DOHERTY, Painting large billboards helped Texas artist CHRIS MCHENRY understand how to use contrasting values, color temperatures, and edges to paint a realistic image. Now working on a smaller scale, he still balances those aspects of painting to establish depth, atmosphere, focus, and emotion in his oil landscapes.

PLUS: Regular features, columns and monthly departments on Awards, technical pages, Art Mart, Reccomended books and Much More!

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