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TITLE:
American Film
["Journal of the Film and Television Arts" -- Published by the American Film Institute (AFI) -- Hard-to-find magazine!]
ISSUE DATE:
January-February 1984; Vol. IX, No. 4
CONDITION:
Standard magazine size, Approx 8oe" X 11". COMPLETE and in FAIR/GOOD condition. Marks to the cover. Pages are good. (See photo)
IN THIS ISSUE:
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COVER: Jack Nicholson, Los Angeles, October 1983. Photo by Maureen Lambray.
FEATURES:
It's All Right, Jack by Jamie Wolf -- The last decade has been an uneasy ride for Jack Nicholson, yet he remains the most formidable talent
of his generation.
Saints and Savages by John Powers -- Films like Under Fire, Beyond the Limit, and The Year of Living Dangerously portray a one-dimensional
Third World where the natives pull liberal heartstrings--until they get restless.
Jonathan Demme: On the Line -- He apprenticed in Roger Corman's exploitation factory, but has evolved into a compassionate observer of
the American scene with films like Melvin and Howard and, now, Swing Shift. Interviewed by Michael Sragow.
Where the Girls Are by Carrie Rickey -- What do you do after you've had your consciousness raised? A new generation of filmmakers are taking
up where their older sisters left off.
IDEOFILE -- Rupert Murdoch's Battle With the Stars by Michael Schrage -- The Australian press lord's U.S. satellite plans take off--almost.
Dialogue on Film: John Huston --
The veteran writer-director reflects on a tumultuous half century in film, getting his way with actors, and his experiments with color.
Scanlines --
Collector's Choice: Rock of Ages by Thomas Wiener Remember that old-time rock 'n' roll--on cassette.
DEPARTMENTS:
Videography.
Letters.
Newsreel.
The Industry: Risky Business by Peter J. Boyer --
Can movies be sold like soap? With Madison Avenue writing the script, Hollywood is betting the answer is yes.
Books --
Three Screen Comedies and Ernst Lubitsch's American Comedy, reviewed by Joel E. Siegel; Black Images in American Films, 1896-1954: The Interplay Between Civil Rights and Film Culture and Blacks and White TV: Afro-Americans in Television Since 1948, reviewed by Sherry Bryant-Johnson.
Trailers.
From the Director by Jean Firstenberg.
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