Issue Date: January, 1977; Vol 41, Issue 414
IN THIS ISSUE:-
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.
Front Cover Illustration by Karen Milone.

SPECIAL BUSINESS SUPPLEMENT:
PROMOTING YOUR CAREER by Calvin J. Goodman. How to contact the media, prepare news releases, develop sales aids and establish a mailing list.

STEPS TO A SUCCESSFUL ART EXHIBITION by Doreen Mangan. All successful art exhibitions have certian common ingredients. In this anatomy of a successful show, we give you clues to theIr success and what is best to avoid.

HOW TO APPROACH A MUSEUM WITH YOUR WORK, by Diane Casella Hines, By sending out questionnaires to the museums actively col!ectiing con- temporary American art, we established guidelines for the artist eager to have his work in a museum collection.

IS THERE ART AFTER DEATH? by Tad Crawford. The artist must take measures to be sure that his estate will be given proper treatment by the executors and by the recipients of his bequests. How to select an executor or trustee; how to execute a will; how to insure proper copyright protection.

WASHINGTON REPORT -- THE ARTS AND CONGRESS by Jill Wechsler. After the presidential election, congress will be returning to Washington with a full list of matters needing immediate attention. What is ahead for legislation in the arts?.

INCOME TAX AND THE ARTIST by Arnold L. Gray, CPA. The fundamentals of filing a tax return: What constitutes a deduction for the artist and how to get the most mileage out of hard-earned income.

PENSION PLANS FOR ARTISTS by Alexandra Holubowich. Artists are generally eligible for the Keogh Plan or an Individual Retirement Account. What is the best plan for you, and how do you go about establishing one? BERNARD GARBUTT: THE DAY OF THE HORSE by Janice Lovoos. Animals, the circus, and the era of our near-past, which he referred to as 'The Day of The Horse," persisted in the work of this West Coast artist, whose drawing ability led him to work with Walt Disney.

EUGENE DOBOS: SATIRIST by Mary Carroll Nelson. "I'm concerned with human emotions, feelings, and aspirations expressed through symbolic types," says this New Mexico artist, who gently mocks the folly of the leaders in society in those situations where they are most at home.

THE WATERCOLOR PAGE: SANDRA WALKER. Despite an abundance of enduring architecture in Washington, D.C., this artist chooses subjects that are being demolished. What motivates her choices?.

FREDERICK MULHAUPT: NEW ENGLAND CLASSIC by Charles Movalli. This Dean of Gloucester painters, who lived from 1871 to 1938, is a painter's painter who continues to influence New England painters. Most of Mulhaupt's work hangs in private homes. A sampling is made public here for the first time.

LOOKING AT PAINTINGS with Bernard Dunstan.
TECHNICAL PAGE by Ralph Mayer.
BULLETIN BOARD; FOOTNOTES; ART BOOKS; ART MART PROFESSIONAL PAGE by Betty Chamberlain.
This description copyright Edward D Peyton. Any un-authorized use of this description is strictly prohibited.