Brand new factory sealed set of eight old monster movies. These are mostly B&W full frame aspect ratio.

SCREAMING SKULL: A man tries to drive his new wife insane by placing skulls all over his southern mansion, but the plan backfires. Some good moments with skulls popping up in a murky pool and screeching birds everywhere. The director plays the servant.

MAD MONSTER is inspired by Universal's the 'Wolfman'. Crazy George Zucco turns big dumb farmhand Glenn Strange into a big hairy monster in overalls who kidnaps a little girl. Injections of wolf blood do the trick. Zucco controls his new insturment of revenge with a whip, a' la Dr. Moreau.

TORMENTED: In Bert Gordon's most "adult" horror film, Richard Carlson pushes his mistress to her death from his lighthouse. He's haunted by parts of her ghost (a crawling hand, a floating head) and a sea-weed covered body turns up at his wedding. Tacky fun with Gene Roth and Bert's daughter Susan. Bert also wrote the story and helped with the special effects.

SCARED to DEATH: This almost surreal little film is remarkable for three reasons: it's in color, it's narrated by a woman's corpse, and it's the closest thing to a horror movie in the lean year of 1947.

Bela Lugosi (in a crooked, wide-brimmed hat and a Colonel Sanders tie) acts like he's in a trance. He lurks around peering in windows with dwarf pal Angelo Rossitto. Angelo, who was in two other Lugosi movies, also appeared in 'Freaks' and played an alien in 'Galaxina'. It's only 65 minutes long. Watch it closely and decide: Had the actors ever seen the script? or Were some of them under the influence of a very disorienting drug? Fascinating in a differant way from Bela's Ed Wood films.

ATOM AGE VAMPIRE: A professor who does research on Hiroshima bomb victims restores the horribly scarred face of a woman who had a car accident. He falls in love with her and has to kill women for their glands to keep her beautiful. For some reason, the doctor occasionally becomes a horrible reptile-faced creature. He also has to deal with his jealous female assistant and his patient's boyfriend, who arrives in a trench coat and sports car looking for his lost girl.

VAMPIRE BAT: Lionel Atwill is the mad Dr. Otto von Niemann in this movie that tries hard to make you think it's from Universal. The studio's sets were borrowed, Lionel Belmore repeats his burgermeister role from 'Frankenstein', and, best of all, idiot batkeeper Dwight Frye looks and acts like Renfield from his 'Dracula' role. Lionel Atwill sends Robert Fraser out for victims to nourish a blob of living tissue he keeps in a tank. Fay Wray (in her third film with Atwill) is the star almost-victim. Melvyn Douglas is the hero.

MONSTER MAKER: When phony doctor J. Carrol Naish is spurned by Wanda McKay he turns on her father, Ralph Morgan. With the help of strongman Glenn Strange he injects the pianist dad with acromegaly germs, turning him into an ugly-faced "monster". He then offers an antidote only in exchange for his daughter's hand in marriage!

DEAD MEN WALK: As a living-dead vampire, George Zucco menaces his twin brother Dr. Clayton (also Zucco). Zucco number one is aided by Zolarr, a hunchback (Dwight Frye). Frye died of a heart attack the next year. From the makers of 'Mad Monster'.