This listing is for The Dirty Dozen LaserDisc LD (1967) ML100008.

Country: USA   

Released: 1984

Publisher: MGM/UA Home Video

Price: $29.98 USD

UPC: (none)

I-S-B-N: (none)

Category: War

Color: Color

Length: 149 min.

Sides: 3

Chapter(s): ???

Size: 12"

Picture: Pan & Scan

Ratio: 1.33:1

Plastic: Transparent

Cover: Standard  

The Dirty Dozen is a 1967 American war film directed by Robert Aldrich and starring Lee Marvin with an ensemble supporting cast including Ernest Borgnine, Charles Bronson, Jim Brown, John Cassavetes, Richard Jaeckel, George Kennedy, Ralph Meeker, Robert Ryan, Telly Savalas, Donald Sutherland, Clint Walker and Robert Webber. Set in 1944 during the Second World War, it was filmed in England at MGM-British Studios and released by MGM. The film was a box office success and won the Academy Award for Best Sound Editing at the 40th Academy Awards in 1968. In 2001, the American Film Institute placed it at number 65 on their 100 Years... 100 Thrills list. The screenplay is based on the 1965 bestseller by E. M. Nathanson which was inspired by a real-life WWII unit of behind-the-lines demolition specialists from the 101st Airborne Division named the "Filthy Thirteen". Another possible inspiration was the public offer to President Franklin D. Roosevelt by 44 prisoners serving life sentences at the Oklahoma State Penitentiary to serve in the Pacific on suicide missions against the Japanese. 

LaserDisc (LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold, and marketed as MCA DiscoVision (also known as simply "DiscoVision") in North America in 1978.  Although the format was capable of offering higher-quality video and audio than its consumer rivals, the VHS and Betamax videocassette systems, LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and video titles themselves and the inability to record TV programming. It also remained a largely obscure format in Europe and Australia. By contrast, the format was much more popular in Japan and in the more affluent regions of Southeast Asia, such as Hong Kong, Singapore, and Malaysia, being the prevalent rental video medium in Hong Kong during the 1990s. Its superior video and audio quality did make it a somewhat popular choice among videophiles and film enthusiasts during its lifespan.

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