TITLE: AMERICAN ARTIST Magazine
[Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: OCTOBER 1977; VOLUME 41, ISSUE 423
CONDITION: Standard sized magazine, Approx 8½" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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FRONT COVER: Two Apples, by Tomoi Yokoi, mezzotint, 13 x 10 1/4.

TOMOI YOKOI'S MEZZOTINTS by Ellen Zeifer. Few artists can Command the necessary staying power to carry through in this demanding medium, but, for Yokoi, the rich black that mezzotint produces makes the ordeal worth her while.

JOE PRICE: SERIGRAPHS IN LIGHT AND TONE by Duane Wakeham. Gradated tones? Not in serigraphy, he was told. Yet Price has created a means to do just that. A step-by-step demonstration shows how he does it.

THE MYLAR METHOD: REVOLUTION IN HAND-DRAWN LITHOGRAPHY by Mel Hunter. To liberate lithography from the tyrannical problems of printing is the goal of Mel Hunter. A step-by-step demonstration shows how this re- markable new process makes it possible.

THE WATERCOLOR PAGE: CHARLES SCHMIDT. I prefer things that do not permit easy associations," says this Philadelphia artist, who nevertheless feels his diverse subject matter--machines, tools, architectural fragments, etc--must coexist as if the relationships were observed.

FRANK BEATTY: THE PERIPATETIC PASTELLIST by Charles Movalli. "Have pastels, will travel," might well describe this artist, whose home base is Florida, but who s more often than not simply "on the road." What subject matter attracts him? How does he handle the problem of transporting materials?.

THE CREATIVE PENDULUM OF MIKE VOGEL: GRAPHIC ARTIST AND ENTREPRENEUR by Mary Carroll Nelson. To successfully wear the two hats of businessman and artist is difficult enough for most. This Albuquerque printmaker complicates the matter by operating a workshop, Dayspring Graphics, a publisher as well as a print- shop. How does he do it?.

LOOKING AT PAINTINGS with Bernard Dunstan.
TECHNICAL PAGE by Ralph Mayer.
PROFESSIONAL PAGE by Betty Chamberlain.
FORUM: Should the Art School Curriculum Include Professional Job Training? by Judith Brodsky and Newton Harrison.
FOOTNOTES. LETTERS TO THE EDITOR. ART BOOKS. ART MART. BULLETIN BOARD.

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