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TITLE: FILM COMMENT Magazine
[ -- Hard-to-find magazine -- See full contents listed below! ]
ISSUE DATE: September-October 1988; Volume 24, Number 5
CONDITION: Standard magazine size, Approx 8oe" X 11". COMPLETE and in clean, 
VERY GOOD condition. (See photo)

IN THIS ISSUE:
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COVER: D W Griffith, the Man who left out women. Cover Photo courtesy of Museum of Modern Art/Film Society of Lincoln Center.

published bimonthly by the Film Society of Lincoln Center.
IN THIS ISSUE:
BACK TO THE WALL: Norman Jewison's In Country -- the Last Vietnam Movie? Can a liberal Canadian vet the collective conscious once and for all? Jay Scott admires the film and concludes with a verity: that we lost the war but must win the peace of mind.

AU REVOIR LES ENFANTS: Isabelle Huppert's best performance yet as an abortionist executed to assuage France's WWII-wounded ego. Marcia Pally mines Claude Chabrol's current Story of Women for its present-day applications.

LORD LARRY: Sir Laurence Olivier, notes Richard Schickel, was more than the embodiment of British Acting Tradition: at once matinee idol, thesp, and character actor, he found both Archie Rice and Hamlet inside himself, and therein lay the rub.

MIDSECTION: LORDS OF THE LENS: With sharper eves trained on "the look- of film now--as in everything else--the shock troops are cinematographers. Five years ago, FHA COMMENT'S "Behind the Camera" Midsection surveyed Hollywood's cinematograph), talents and identified a pantheon of twelve. Where are they now and who's on next? Todd McCarthy picks up where he left off (page 32) and digs the New Breed--the Eurolensers. Add five to the World Class category. Carol Rutter interviews the king of color, Vittorio Storaro (46). And Armond White talks to Sven Nykvist, master of natural light and Bergman's right arm turned DP-for-hire (52). Finally, White considers the evolving aesthetics of cinematography and the role of the DP over 80 years of checking for hairs in the gate and making sure all's clear (54). But is the camera candid?.

ALSO IN THIS ISSUE:
Journals: Anne Thompson explains how Jean-Jacques Annaud tamed The Bear, Gavin Smith commends a film student-in-Hollywood opus, The Big Picture, and Marc Mancini seeks the creator of Freddie and Shocker, Wes Craven, lit. prof.
D.W. Griffith, Ladies Man: Miriam Hansen traces the path from revision to restoration of David Wark G's landmark Intolerance and finds a context for a classic.
Hello, Dolly: On the occasion of Steel Magnolias, we present y'all with The Quotable Dolly by Karen jaehne.
Euzhan Your Head: Euzhan Paley brings a Third World edge to her apartheid film, A Dry White Season. Marlaine Glicksrnan interviews the angry young woman.
Whittle Away: Capitalism steals another idea from the Revolution--subversion in the classroom. Lois P. Sheinfeld targets the adman's high school hard-sell.
Aussies Are Coming: Remember the Australian New Wave, followed by the Eighties No Wave? Young filmmakers Down Under are back and this time they aren't offering nostalgia. Harlan Kennedy explains the new Oz cutting edge.
Books: A*L*T*M*A*N: FILM COMMENT regular Pat McGilli-gan's new bio of Robert Altman is welcomed by Andrew Sarris.
Back Page: Quiz #39.


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