TITLE: CINEFEX,
["The Journal of cinematic Illusions", (Devoted to Film Special Visual Effects -- Hard-to-find magazine -- Feature articles about film productions are WELL illustrated with multiple photos of the crew and cast and production!]
ISSUE DATE: #67, September 1996
CONDITION: Standard magazine size, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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CINEFEX, The Journal of cinematic Illusions.

COVER -- Alien invaders destroy the White House in Independence Day.

FIREWORKS: To supply the staggering volume of effects required for Independence Day, director Roland Emmerich and producer Dean Devlin chose not to engage a major effects facility, electing instead to build an in-house miniatures and pyrotechnic unit, coupled with an independent digital effects unit, dedicated solely to the production. Article by Tim Prokop. [HUGE article, over 27 pages with MANY photos of the special effects production!

CRUISING THE DIGITAL BACKLOT: The action finale of Mission: Impossible-- created by Industrial Light & Magic -- entailed placing a computer generated train and helicopter into digitally altered or created backgrounds, enhanced with elaborate miniature work and pyrotechnics. Article by Mark Cotta Vaz. [Over a dozen pages, with many photos!]

SPLIT PERSONALITIES: For Multiplicity-- a comedy about a man who hopes to find time for himself by undergoing a cloning procedure -- director Harold Ramis engaged Boss Film Studios to produce four distinct versions of actor Michael Keaton, all of whom had to interact verbally and physically during the course of the film. Article by Janine Pourroy. [Over a dozen pages, with many photos!]

The Nutty Professor: Pleasingly Kiump.
Escape from L.A.: Hasta La Buena Vista.
The Arrival: Temperatures Rising.
The Frighteners: The Thrill of the Haunt.
Hercules: Solving Mythical Dilemmas.
The Adventures of Pinocchio: Puppetmasters.
Nike Commercial: Eyes on the Ball.


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