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LIVE LONG AND PROSPER
or
LIGHTS & DARKS
ORIGINAL ART /  OA
ONE OF A KIND / OOAK
SIGNED IN JAPANESE
UNKNOW ARTIST
BACK READS "ANTIQUE WATER COLOR, FRAMED. JSOEK'S 1966"
MEASURES ABOUT 17" X 12"

ANY INFO ON DECIPHERING THE SIGNATURE IS WELCOME





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FYI
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Chrysanthemums (/kr??sæn??m?m/), sometimes called mums or chrysanths, are flowering plants of the genus Chrysanthemum in the family Asteraceae. They are native to East Asia and northeastern Europe. Most species originate from East Asia and the center of diversity is in China. Countless horticultural varieties and cultivars exist.

Etymology
The name "chrysanthemum" is derived from the Ancient Greek: ?????? chrysos (gold) and Ancient Greek: ??????? anthemon (flower).

Taxonomy
The genus once included more species, but was split several decades ago into several genera, putting the economically important florist's chrysanthemums in the genus Dendranthema. The naming of these genera has been contentious, but a ruling of the International Botanical Congress in 1999 changed the defining species of the genus to Chrysanthemum indicum, restoring the florist's chrysanthemums to the genus Chrysanthemum.

Genera now separated from Chrysanthemum include Argyranthemum, Glebionis, Leucanthemopsis, Leucanthemum, Rhodanthemum, and Tanacetum.

Description
Wild Chrysanthemum taxa are herbaceous perennial plants or subshrubs. They have alternately arranged leaves divided into leaflets with toothed or occasionally smooth edges. The compound inflorescence is an array of several flower heads, or sometimes a solitary head. The head has a base covered in layers of phyllaries. The simple row of ray florets is white, yellow, or red; many horticultural specimens have been bred to bear many rows of ray florets in a great variety of colors. The disc florets of wild taxa are yellow. Pollen grains are appropriately 34 microns. The fruit is a ribbed achene. Chrysanthemums start blooming early in the autumn. This is also known as the favorite flower for the month of November.

History
Chrysanthemums (Chinese: ??; pinyin: Júhu?) were first cultivated in China as a flowering herb as far back as the 15th century BC. Over 500 cultivars had been recorded by 1630. By 2014 it was estimated that there were over 20,000 cultivars in the world and about 7,000 cultivars in China. The plant is renowned as one of the Four Gentlemen (???) in Chinese and East Asian Art. The plant is particularly significant during the Double Ninth Festival.

Chrysanthemum cultivation began in Japan during the Nara and Heian periods (early 8th to late 12th centuries), and gained popularity in the Edo period (early 17th to late 19th century). Many flower shapes, colours, and varieties were created. The way the flowers were grown and shaped also developed, and chrysanthemum culture flourished. Various cultivars of chrysanthemums created in the Edo period were characterized by a remarkable variety of flower shapes, and were exported to China from the end of the Edo period, changing the way Chinese chrysanthemum cultivars were grown and their popularity. In addition, from the Meiji period (late 19th to early 20th century), many cultivars with flowers over 20 cm (7.87 in) in diameter, called the Ogiku (lit., great chrysanthemum) style were created, which influenced the subsequent trend of chrysanthemums. The Imperial Seal of Japan is a chrysanthemum and the institution of the monarchy is also called the Chrysanthemum Throne. A number of festivals and shows take place throughout Japan in autumn when the flowers bloom. Chrysanthemum Day (????, Kiku no Sekku) is one of the five ancient sacred festivals. It is celebrated on the 9th day of the 9th month. It was started in 910, when the imperial court held its first chrysanthemum show.

Chrysanthemums entered American horticulture in 1798 when Colonel John Stevens imported a cultivated variety known as 'Dark Purple' from England. The introduction was part of an effort to grow attractions within Elysian Fields in Hoboken, New Jersey.

Cultural significance and symbolism
In some European countries (e.g., France, Belgium, Italy, Spain, Poland, Hungary, Croatia), incurve chrysanthemums symbolize death and are used only for funerals or on graves, while other types carry no such symbolism; similarly, in China, Japan, and Korea of East Asia, white chrysanthemums symbolize adversity, lamentation, and/or grief. In some other countries, they represent honesty. In the United States, the flower is usually regarded as positive and cheerful, with New Orleans as a notable exception.

In the Victorian language of flowers, the chrysanthemum had several meanings. The Chinese chrysanthemum meant cheerfulness, whereas the red chrysanthemum stood for "I Love", while the yellow chrysanthemum symbolized slighted love. The chrysanthemum is also the flower of November.
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Japan
Chrysanthemums first arrived in Japan by way of China in the 5th century. The chrysanthemum has been used as a theme of waka (Japanese traditional poetry) since around the 10th century in the Heian period, and Kokin Wakash? is the most famous of them. In the 12th century, during the Kamakura period, when the Retired Emperor Go-Toba adopted it as the mon (family crest) of the Imperial family, it became a flower that symbolized autumn in Japan. During the Edo period from the 17th century to the 19th century, due to the development of economy and culture, the cultivation of chrysanthemums, cherry blossoms, Japanese iris, morning glory, etc. became popular, many cultivars were created and many chrysanthemum exhibitions were held. From the Meiji period in the latter half of the 19th century, due to the growing importance of the chrysanthemum, which symbolized the Imperial family, the creation of ogiku style cultivars with a diameter of 20 cm or more became popular.

In the present day, each autumn there are chrysanthemum exhibitions at the Shinjuku Gyo-en, Meiji Shrine and Yasukuni Shrine in Tokyo. The Yasukuni Shrine, formerly a state-endowed shrine (????, kankokuheisha) has adopted the chrysanthemum crest. Culinary-grade chrysanthemums are used to decorate food, and they remain a common motif for traditional Japanese arts like porcelain, lacquerware and kimono.

Chrysanthemum growing is still practised actively as a hobby by many Japanese people who enter prize plants in contests. Chrysanthemum "dolls", often depicting fictional characters from both traditional sources like kabuki and contemporary sources like Disney, are displayed throughout the fall months, and the city of Nihonmatsu hosts the "Nihonmatsu Chrysanthemum Dolls Exhibition" every autumn in historical ruin of Nihonmatsu Castle. They are also grown into chrysanthemum bonsai forms.

In Japan, the chrysanthemum is a symbol of the Emperor and the Imperial family. In particular, a "chrysanthemum crest" (????, kikukamonsh? or kikkamonsh?), i.e. a mon of chrysanthemum blossom design, indicates a link to the Emperor; there are more than 150 patterns of this design. Notable uses of and reference to the Imperial chrysanthemum include:
The Imperial Seal of Japan is used by members of the Japanese imperial family. In 1869, a two-layered, 16-petal design was designated as the symbol of the emperor. Princes used a simpler, single-layer pattern.
The Chrysanthemum Throne is the name given to the position of Japanese Emperor and the throne.
The Supreme Order of the Chrysanthemum is a Japanese honor awarded by the emperor on the advice of the Japanese government.
In imperial Japan, small arms were required to be stamped with the imperial chrysanthemum, as they were considered the personal property of the emperor.
The Nagoya Castle Chrysanthemum Competition started after the end of the Pacific War. The event at the castle has become a tradition for the city. With three categories, it is one of the largest events of its kind in the region by both scale and content. The first category is the exhibition of cultivated flowers. The second category is for bonsai flowers, which are combined with dead pieces of wood to give the illusion of miniature trees. The third category is the creation of miniature landscapes.

North America
United States
On 5 and 6 November 1883, in Philadelphia, the Pennsylvania Horticultural Society (PHS), at the request of the Florists and Growers Society, held its first Chrysanthemum Show in Horticultural Hall. This would be the first of several chrysanthemum events presented by PHS to the public.
The founding of the chrysanthemum industry dates back to 1884, when the Enomoto brothers of Redwood City, California grew the first chrysanthemums cultivated in America.
In 1913, Sadakasu Enomoto (of San Mateo County) astounded the flower world by successfully shipping a carload of Turner chrysanthemums to New Orleans for the All Saints Day Celebration.
The chrysanthemum was recognized as the official flower of the city of Chicago by Mayor Richard J. Daley in 1966.
The chrysanthemum is the official flower of the city of Salinas, California.
The chrysanthemum is the official flower of several fraternities and sororities including Chi Phi, Phi Kappa Sigma, Phi Mu Alpha Sinfonia, Lambda Kappa Sigma, Sigma Alpha and Triangle Fraternity.
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Camellia japonica, known as common camellia, or Japanese camellia, is a species of flowering plant in the family Theaceae. There are thousands of cultivars of C. japonica in cultivation, with many colors and forms of flowers. In the U.S. it is sometimes called japonica. In the wild, it is found in mainland China (Shandong, east Zhejiang), Taiwan, southern Korea and southwestern Japan. It grows in forests, at altitudes of around 300–1,100 metres (980–3,600 ft). Camellias are famous throughout East Asia; they are known as tsaa4 faa1 (??, lit. "tea flower") in Cantonese, cháhu? (??) in Mandarin Chinese, tsubaki (?) in Japanese, dongbaek-kkot (???) in Korean, and as hoa trà or hoa chè in Vietnamese.
The leaves of this species are rich in anti-inflammatory terpenoids such as lupeol and squalene.

In culture and art
Camellias are seen as lucky symbols for the Chinese New Year and spring and were even used as offerings to the gods during the Chinese New Year. It is also thought that Chinese women would never wear a Camellia in their hair because it opened much later after the bud formed. This was thought to signify that she would not have a son for a long time.

The following is a poem written by English evangelical Protestant writer Charlotte Elizabeth Tonna in 1834.
THE WHITE CAMELLIA JAPONICA.
Thou beauteous child of purity and grace,
  What element could yield so fair a birth?
Defilement bore me — my abiding place
  Was mid the foul clods of polluted earth.
But light looked on me from a holier sphere,
  To draw me heavenward — then I rose and shone;
And can I vainly to thine eye appear,
  Thou dust-born gazer? make the type thine own.
From thy dark dwelling look thou forth, and see
  The purer beams that brings a lovelier change for thee.
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Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper.
As a method of printing on cloth, the earliest surviving examples from China date to before 220, and from Egypt to the 4th century.
Ukiyo-e is the best known type of Japanese woodblock art print. Most European uses of the technique on paper are covered by the art term woodcut, except for the block-books produced mainly in the fifteenth century.
France
Woodblock printing on wallpaper became famous in France at the end of the 18th century. Manufactures like Joseph Dufour et Cie (1797 - ca. 1830) or Zuber et Cie (founded 1797) used the woodblock printing for wall paper production. In 1806, in collaboration with the artist Jean-Gabriel Charvet, Dufour et Cie produced a twenty-panel set of scenic wallpaper entitled Sauvages de la Mer du Pacifique (Savages of the Pacific), which became very famous. It was the largest panoramic wallpaper of its time, and marked the burgeoning of a French industry in panoramic wallpapers. Dufour realized almost immediate success from the sale of these papers and enjoyed a lively trade with America. The Neoclassic spirit currently in favor was accented handsomely in houses of the Federal period by the exaggerated elegance of Charvet's scenes. Like most of eighteenth century wallpapers, the panorama was designed to be hung above a dado.
While Joseph Dufour et Cie was shut down in the 1830ies Zuber et Cie is still existing and claims to be the last factory in the world to produce woodblock printed wallpapers and furnishing fabrics.
For its production Zuber uses woodblocks out of an archiv of more more than 100,000 engraved from the XVII and XIX century which are classified as a "Historical Monument". It offers panoramic szeneries such as "du Vue de l'Amérique Nord", "Eldorado Hindoustan" or "Isola Bella" and also wallpapers, friezes and ceilings as well as hand printed furnishing fabrics.
Block-books, where both text and images are cut on a single block for a whole page, appeared in Europe in the 1460s as a cheaper alternative to books printed by movable type. These are different from woodcuts illustrated books using images, perhaps with a title, cut in a single block and used as a book illustration with the adjacent text printed using movable type. The only example of the blockbook form that contains no images is the school textbook Latin grammar of Donatus.
The most famous block-books are the Speculum Humanae Salvationis and the Ars moriendi, though in this the images and text are on different pages, but all block-cut. The Biblia pauperum, a Biblical picture-book, was the next most common title, and the great majority of block-books were popular devotional works. All block-books are fairly short at less than fifty pages. While in Europe movable metal type soon became cheap enough to replace woodblock printing for the reproduction of text, woodcuts remained a major way to reproduce images in illustrated works of early modern European printing. See old master print.
Most block-books before about 1480 were printed on only one side of the paper — if they were printed by rubbing it would be difficult to print on both sides without damaging the first one to be printed. Many were printed with two pages per sheet, producing a book with opening of two printed pages, followed by openings with two blank pages (as earlier in China). The blank pages were then glued together to produce a book looking like a type-printed one. Where both sides of a sheet have been printed, it is presumed a printing-press was used.
The method was also used extensively for printing playing cards.
 
 

 

 


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