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The Lotions – The Lotions
Label: Stork Records (6) – SK-2001
Format: Vinyl, 12", 33 ⅓ RPM, EP, Stereo
Country: US
Released: 1981
Genre: Rock, Reggae, Funk / Soul, Pop, Folk, World, & Country
Style: Pop Rock, Reggae-Pop, Reggae, Rocksteady
Tracklist
A1 Pushin Too Hard
Songwriter – Sky Saxon
2:34
A2 Groovin Song
Songwriter – Alan Monsarrat, J. Holston*
4:15
B1 Get Up (Don't Get Down)
Lead Vocals – David Roach (2)
Songwriter – David Roach (2)
3:06
B2 Just Like A King
Songwriter – Alan Monsarrat, David Roach (2)
2:37
Recorded At – Lone Star Studios
Mixed At – Platinum City
Mastered At – Ardent Sound
Mastered At – Greg Lee Processing – L-6890
Pressed By – Rainbow Record Pressing Co.
Congas, Percussion, Vocals – Wilson Chevere
Cover [Cover Art], Graphics – Guy Juke
Drums – Michael Mc Geary*
Engineer – Craig Leon
Executive-Producer – The Lotions
Guitar, Vocals – Johnny Reverb
Keyboards, Bass [Moog], Effects [Casiotones], Vocals – David Roach (2)
Lacquer Cut By – LNix*
Lead Vocals, Bass – Alan Monsarrat
Mastered By – Larry Nix
Producer – Craig Leon, David Roach (2)
Mixed at Platinum City, Dallas, Texas
℗ © 1981 Stork Records, Inc., Austin, Texas SK-2001
P.O. Box 9802-250
Austin, Texas 78766
Manufactured & Printed in U.S.A.
Matrix / Runout (Side A, etched): L-6890 RAINBOW-DALLAS LOTIONS-81-A-RE -LNIX-
Matrix / Runout (Side B, etched): L-6890-X RAINBOW-DALLAS LOTIONS-81-B-RE -LNIX-
RECORD IS MINT (SEALED)
RECORD COVER IS NM-
(EXAMPLE NOT ACTUAL)
https://www.youtube.com/watch?v=kr415dm6kgs&ab_channel=CoverHeaven
https://www.youtube.com/watch?v=pNZwCNSSWlI&ab_channel=eddie4forreal
-------------------------------------------
--------------------------------------------
Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Reggae is deeply linked to Rastafari, an Afrocentric religion which developed in Jamaica in the 1930s, aiming at promoting pan-Africanism. Soon after the Rastafarian movement appeared, the international popularity of reggae music became associated with and increased the visibility of Rastafari and spread its gospel throughout the world. Reggae music is an important means of transporting vital messages of Rastafari. The musician becomes the messenger, and as Rastafari see it, "the soldier and the musician are tools for change."
Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form that served its largely rural audience as dance music and an alternative to the hymns and adapted chanteys of local church singing), calypso, and also draws influence from traditional African folk rhythms. One of the most easily recognizable elements is offbeat rhythms; staccato chords played by a guitar or piano (or both) on the offbeats of the measure. The tempo of reggae is usually slower paced than both ska and rocksteady. The concept of call and response can be found throughout reggae music. The genre of reggae music is led by the drum and bass. Some key players in this sound are Jackie Jackson from Toots and the Maytals, Carlton Barrett from Bob Marley and the Wailers, Lloyd Brevett from the Skatalites, Paul Douglas from Toots and the Maytals, Lloyd Knibb from the Skatalites, Winston Grennan, Sly Dunbar, and Anthony "Benbow" Creary from the Upsetters. The bass guitar often plays the dominant role in reggae. The bass sound in reggae is thick and heavy, and equalized so the upper frequencies are removed and the lower frequencies emphasized. The guitar in reggae usually plays on the offbeat of the rhythm. It is common for reggae to be sung in Jamaican Patois, Jamaican English, and Iyaric dialects. Reggae is noted for its tradition of social criticism and religion in its lyrics, although many reggae songs discuss lighter, more personal subjects, such as love and socializing.
Reggae has spread to many countries around the world, often incorporating local instruments and fusing with other genres. Reggae en Español spread from the Spanish-speaking Central American country of Panama to the mainland South American countries of Venezuela and Guyana then to the rest of South America. Caribbean music in the United Kingdom, including reggae, has been popular since the late 1960s, and has evolved into several subgenres and fusions. Many reggae artists began their careers in the UK, and there have been a number of European artists and bands drawing their inspiration directly from Jamaica and the Caribbean community in Europe. Reggae in Africa was boosted by the visit of Bob Marley to Zimbabwe in 1980. In Jamaica, authentic reggae is one of the biggest sources of income.
Etymology
The 1967 edition of the Dictionary of Jamaican English lists reggae as "a recently estab. sp. for rege", as in rege-rege, a word that can mean either "rags, ragged clothing" or "a quarrel, a row". Reggae as a musical term first appeared in print with the 1968 rocksteady hit "Do the Reggay" by the Maytals which named the genre.
Reggae historian Steve Barrow credits Clancy Eccles with altering the Jamaican patois word streggae (loose woman) into reggae. However, Toots Hibbert said:
There's a word we used to use in Jamaica called 'streggae'. If a girl is walking and the guys look at her and say 'Man, she's streggae' it means she don't dress well, she look raggedy. The girls would say that about the men too. This one morning me and my two friends were playing and I said, 'OK man, let's do the reggay.' It was just something that came out of my mouth. So we just start singing 'Do the reggay, do the reggay' and created a beat. People tell me later that we had given the sound its name. Before that people had called it blue-beat and all kind of other things. Now it's in the Guinness World of Records.
Bob Marley claimed that the word reggae came from a Spanish term for "the king's music". The liner notes of To the King, a compilation of Christian gospel reggae, suggest that the word reggae was derived from the Latin regi meaning "to the king".
History
Precursors
Reggae's direct origins are in the ska and rocksteady of 1960s Jamaica, strongly influenced by traditional Caribbean mento and calypso music, as well as American jazz and rhythm and blues. Ska was originally a generic title for Jamaican music recorded between 1961 and 1967 and emerged from Jamaican R&B, which was based largely on American R&B and doo-wop. Rastafari entered some countries primarily through reggae music; thus, the movement in these places is more stamped by its origins in reggae music and social milieu. The Rastafari movement was a significant influence on reggae, with Rasta drummers like Count Ossie taking part in seminal recordings. One of the predecessors of reggae drumming is the Nyabinghi rhythm, a style of ritual drumming performed as a communal meditative practice in the Rastafarian life.
In the latter half of the 20th century, phonograph records became of central importance to the Jamaican music industry, playing a significant cultural and economic role in the development of reggae music. "In the early 1950s, Jamaican entrepreneurs began issuing 78s" but this format would soon be superseded by the 7" single, first released in 1949. In 1951 the first recordings of mento music were released as singles and showcased two styles of mento: an acoustic rural style, and a jazzy pop style. Other 7" singles to appear in Jamaica around this time were covers of popular American R&B hits, made by Kingston sound system operators to be played at public dances. Meanwhile, Jamaican expatriates started issuing 45s on small independent labels in the United Kingdom, many mastered directly from Jamaican 45s.
Ska arose in Jamaican studios in the late 1950s, developing from this mix of American R&B, mento and calypso music. Notable for its jazz-influenced horn riffs, ska is characterized by a quarter note walking bass line, guitar and piano offbeats, and a drum pattern with cross-stick snare and bass drum on the backbeat and open hi-hat on the offbeats. When Jamaica gained independence in 1962, ska became the music of choice for young Jamaicans seeking music that was their own. Ska also became popular among mods in Britain.
In the mid-1960s, ska gave rise to rocksteady, a genre slower than ska featuring more romantic lyrics and less prominent horns. Theories abound as to why Jamaican musicians slowed the ska tempo to create rocksteady; one is that the singer Hopeton Lewis was unable to sing his hit song "Take It Easy" at a ska tempo. The name "rocksteady" was codified after the release of a single by Alton Ellis. Many rocksteady rhythms later were used as the basis of reggae recordings, whose slower tempos allowed for the "double skank" guitar strokes on the offbeat.
--------------------------------------
Sky "Sunlight" Saxon (born Richard Elvern Marsh; August 20, 1937 – June 25, 2009) was an American rock and roll musician best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.
Early life
Saxon was born Richard Elvern Marsh in Salt Lake City, Utah, on August 20, 1937. Different sources suggest a birth year of 1937, 1945, or 1946. His widow has said that his birthday was August 20, but would not confirm the year because he believed age was irrelevant. However, 1940 census records indicate he was born in Utah in 1937. He was raised in a Mormon household.
Career
Saxon began his career performing doo-wop pop tunes in the early 1960s under the name Little Richie Marsh. After changing his name to Sky Saxon, he formed the Electra-Fires in 1962 and then Sky Saxon & the Soul Rockers. Several of these early songs were collected on a 1983 album on AIP called New Fruit from Old Seeds / The Rare Sky Saxon, Volume One.
In 1965, Saxon founded the psychedelic flower power band The Seeds with Jan Savage (guitar), Rick Andridge (drums), and Darryl Hooper (keyboards). Hit songs for Saxon and the Seeds included "Can't Seem to Make You Mine", "Mr. Farmer", and "Pushin' Too Hard," which became a top 40 song and enduring rock anthem in 1967. Saxon's singing performance was dismissed by critic Lester Bangs as an American imitation of Mick Jagger, while Michael Hicks considered it a more complicated synthesis of Jagger, Eddie Cochran, and Buddy Holly. The music on the Seeds 1966 albums The Seeds (GNP Crescendo 2023) and A Web of Sound (GNP Crescendo 2033) have been described as "weird psychotic blues highlighting Sky's demented, vocal sermonizing."
A spinoff project, The Sky Saxon Blues Band, recorded one album, A Full Spoon of Seedy Blues, (GNP Crescendo 2040) with members of Muddy Waters' band. At the same time, Saxon continued The Seeds, recording Future (GNP Crescendo 2038) and Raw & Alive: The Seeds in Concert at Merlin's Music Box (GNP Crescendo 2043). Later, in 1977 producer Neil Norman compiled and released Fallin' Off the Edge (GNP Crescendo 2107). an album containing rare "B" sides and unissued material.
"Pushin' Too Hard" was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
After The Seeds
In the 1970s, Saxon continued to work on the music scene, releasing a number of 45s and a few independently released LPs, often using the name Sky Sunlight Saxon, the New Seeds, or variations thereupon. His 1977 EP is particularly noteworthy.
In 1973, he became a member of the Source Family religious group, a Hollywood Hills commune led by YaHoWha (a restaurateur, whose real name was Jim Baker), who gave Saxon the names Sunlight and Arlick. Consequently, he became a vegetarian. In 1998, Saxon orchestrated the release of a 13-CD set of the psychedelic tribal music recorded by the commune's band Ya Ho Wa 13 during the 1970s.
In subsequent years, Saxon released a number of albums under various band names including The Starry Seeds Band, Sky Saxon & Firewall, The Hour, Wolf Pack, Fast Planet, Back to the Garden, King Arthur's Court, and Shapes Have Fangs. In late 1999 Saxon teamed up with his friend Djin Aquarian from the Ya Ho Wa 13 band on guitar, with drummer David Walas and bass player David Phillips. This led to an album released after the band stopped playing together called "This Band Was From Mt. Shasta". Additionally, Saxon had several times reformed The Seeds with different musician line-ups.
In 2008, Saxon and the Seeds collaborated on some new songs and recordings with Billy Corgan of the Smashing Pumpkins. Saxon later appeared in the music video of the Smashing Pumpkins' song "Superchrist". Sky Saxon's last performance and recording was done in Austin, Texas.
Death
On June 25, 2009, at age 71, Saxon died unexpectedly in an Austin, Texas, hospital of heart and renal failure due to a simple untreated infection which he had contracted at some point that had spread throughout his organs. Saxon's death was overshadowed by the death of Farrah Fawcett, which in turn was heavily overshadowed by the death of Michael Jackson, all on the same date.
At the time of his death, he had been scheduled to commence a tour of the United States and Canada as part of the "California '66" tour, featuring reformed versions of The Seeds, The Electric Prunes, and Love.
On July 24, 2009, members of The Smashing Pumpkins, Love, and The Electric Prunes performed a tribute concert at the Echoplex in Los Angeles in Saxon's memory.
Reggae is deeply linked to Rastafari, an Afrocentric religion which developed in Jamaica in the 1930s, aiming at promoting pan-Africanism. Soon after the Rastafarian movement appeared, the international popularity of reggae music became associated with and increased the visibility of Rastafari and spread its gospel throughout the world. Reggae music is an important means of transporting vital messages of Rastafari. The musician becomes the messenger, and as Rastafari see it, "the soldier and the musician are tools for change."
Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form that served its largely rural audience as dance music and an alternative to the hymns and adapted chanteys of local church singing), calypso, and also draws influence from traditional African folk rhythms. One of the most easily recognizable elements is offbeat rhythms; staccato chords played by a guitar or piano (or both) on the offbeats of the measure. The tempo of reggae is usually slower paced than both ska and rocksteady. The concept of call and response can be found throughout reggae music. The genre of reggae music is led by the drum and bass. Some key players in this sound are Jackie Jackson from Toots and the Maytals, Carlton Barrett from Bob Marley and the Wailers, Lloyd Brevett from the Skatalites, Paul Douglas from Toots and the Maytals, Lloyd Knibb from the Skatalites, Winston Grennan, Sly Dunbar, and Anthony "Benbow" Creary from the Upsetters. The bass guitar often plays the dominant role in reggae. The bass sound in reggae is thick and heavy, and equalized so the upper frequencies are removed and the lower frequencies emphasized. The guitar in reggae usually plays on the offbeat of the rhythm. It is common for reggae to be sung in Jamaican Patois, Jamaican English, and Iyaric dialects. Reggae is noted for its tradition of social criticism and religion in its lyrics, although many reggae songs discuss lighter, more personal subjects, such as love and socializing.
Reggae has spread to many countries around the world, often incorporating local instruments and fusing with other genres. Reggae en Español spread from the Spanish-speaking Central American country of Panama to the mainland South American countries of Venezuela and Guyana then to the rest of South America. Caribbean music in the United Kingdom, including reggae, has been popular since the late 1960s, and has evolved into several subgenres and fusions. Many reggae artists began their careers in the UK, and there have been a number of European artists and bands drawing their inspiration directly from Jamaica and the Caribbean community in Europe. Reggae in Africa was boosted by the visit of Bob Marley to Zimbabwe in 1980. In Jamaica, authentic reggae is one of the biggest sources of income.
Etymology
The 1967 edition of the Dictionary of Jamaican English lists reggae as "a recently estab. sp. for rege", as in rege-rege, a word that can mean either "rags, ragged clothing" or "a quarrel, a row". Reggae as a musical term first appeared in print with the 1968 rocksteady hit "Do the Reggay" by the Maytals which named the genre.
Reggae historian Steve Barrow credits Clancy Eccles with altering the Jamaican patois word streggae (loose woman) into reggae. However, Toots Hibbert said:
There's a word we used to use in Jamaica called 'streggae'. If a girl is walking and the guys look at her and say 'Man, she's streggae' it means she don't dress well, she look raggedy. The girls would say that about the men too. This one morning me and my two friends were playing and I said, 'OK man, let's do the reggay.' It was just something that came out of my mouth. So we just start singing 'Do the reggay, do the reggay' and created a beat. People tell me later that we had given the sound its name. Before that people had called it blue-beat and all kind of other things. Now it's in the Guinness World of Records.
Bob Marley claimed that the word reggae came from a Spanish term for "the king's music". The liner notes of To the King, a compilation of Christian gospel reggae, suggest that the word reggae was derived from the Latin regi meaning "to the king".
History
Precursors
Reggae's direct origins are in the ska and rocksteady of 1960s Jamaica, strongly influenced by traditional Caribbean mento and calypso music, as well as American jazz and rhythm and blues. Ska was originally a generic title for Jamaican music recorded between 1961 and 1967 and emerged from Jamaican R&B, which was based largely on American R&B and doo-wop. Rastafari entered some countries primarily through reggae music; thus, the movement in these places is more stamped by its origins in reggae music and social milieu. The Rastafari movement was a significant influence on reggae, with Rasta drummers like Count Ossie taking part in seminal recordings. One of the predecessors of reggae drumming is the Nyabinghi rhythm, a style of ritual drumming performed as a communal meditative practice in the Rastafarian life.
In the latter half of the 20th century, phonograph records became of central importance to the Jamaican music industry, playing a significant cultural and economic role in the development of reggae music. "In the early 1950s, Jamaican entrepreneurs began issuing 78s" but this format would soon be superseded by the 7" single, first released in 1949. In 1951 the first recordings of mento music were released as singles and showcased two styles of mento: an acoustic rural style, and a jazzy pop style. Other 7" singles to appear in Jamaica around this time were covers of popular American R&B hits, made by Kingston sound system operators to be played at public dances. Meanwhile, Jamaican expatriates started issuing 45s on small independent labels in the United Kingdom, many mastered directly from Jamaican 45s.
Ska arose in Jamaican studios in the late 1950s, developing from this mix of American R&B, mento and calypso music. Notable for its jazz-influenced horn riffs, ska is characterized by a quarter note walking bass line, guitar and piano offbeats, and a drum pattern with cross-stick snare and bass drum on the backbeat and open hi-hat on the offbeats. When Jamaica gained independence in 1962, ska became the music of choice for young Jamaicans seeking music that was their own. Ska also became popular among mods in Britain.
In the mid-1960s, ska gave rise to rocksteady, a genre slower than ska featuring more romantic lyrics and less prominent horns. Theories abound as to why Jamaican musicians slowed the ska tempo to create rocksteady; one is that the singer Hopeton Lewis was unable to sing his hit song "Take It Easy" at a ska tempo. The name "rocksteady" was codified after the release of a single by Alton Ellis. Many rocksteady rhythms later were used as the basis of reggae recordings, whose slower tempos allowed for the "double skank" guitar strokes on the offbeat.
--------------------------------------
Sky "Sunlight" Saxon (born Richard Elvern Marsh; August 20, 1937 – June 25, 2009) was an American rock and roll musician best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.
Early life
Saxon was born Richard Elvern Marsh in Salt Lake City, Utah, on August 20, 1937. Different sources suggest a birth year of 1937, 1945, or 1946. His widow has said that his birthday was August 20, but would not confirm the year because he believed age was irrelevant. However, 1940 census records indicate he was born in Utah in 1937. He was raised in a Mormon household.
Career
Saxon began his career performing doo-wop pop tunes in the early 1960s under the name Little Richie Marsh. After changing his name to Sky Saxon, he formed the Electra-Fires in 1962 and then Sky Saxon & the Soul Rockers. Several of these early songs were collected on a 1983 album on AIP called New Fruit from Old Seeds / The Rare Sky Saxon, Volume One.
In 1965, Saxon founded the psychedelic flower power band The Seeds with Jan Savage (guitar), Rick Andridge (drums), and Darryl Hooper (keyboards). Hit songs for Saxon and the Seeds included "Can't Seem to Make You Mine", "Mr. Farmer", and "Pushin' Too Hard," which became a top 40 song and enduring rock anthem in 1967. Saxon's singing performance was dismissed by critic Lester Bangs as an American imitation of Mick Jagger, while Michael Hicks considered it a more complicated synthesis of Jagger, Eddie Cochran, and Buddy Holly. The music on the Seeds 1966 albums The Seeds (GNP Crescendo 2023) and A Web of Sound (GNP Crescendo 2033) have been described as "weird psychotic blues highlighting Sky's demented, vocal sermonizing."
A spinoff project, The Sky Saxon Blues Band, recorded one album, A Full Spoon of Seedy Blues, (GNP Crescendo 2040) with members of Muddy Waters' band. At the same time, Saxon continued The Seeds, recording Future (GNP Crescendo 2038) and Raw & Alive: The Seeds in Concert at Merlin's Music Box (GNP Crescendo 2043). Later, in 1977 producer Neil Norman compiled and released Fallin' Off the Edge (GNP Crescendo 2107). an album containing rare "B" sides and unissued material.
"Pushin' Too Hard" was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
After The Seeds
In the 1970s, Saxon continued to work on the music scene, releasing a number of 45s and a few independently released LPs, often using the name Sky Sunlight Saxon, the New Seeds, or variations thereupon. His 1977 EP is particularly noteworthy.
In 1973, he became a member of the Source Family religious group, a Hollywood Hills commune led by YaHoWha (a restaurateur, whose real name was Jim Baker), who gave Saxon the names Sunlight and Arlick. Consequently, he became a vegetarian. In 1998, Saxon orchestrated the release of a 13-CD set of the psychedelic tribal music recorded by the commune's band Ya Ho Wa 13 during the 1970s.
In subsequent years, Saxon released a number of albums under various band names including The Starry Seeds Band, Sky Saxon & Firewall, The Hour, Wolf Pack, Fast Planet, Back to the Garden, King Arthur's Court, and Shapes Have Fangs. In late 1999 Saxon teamed up with his friend Djin Aquarian from the Ya Ho Wa 13 band on guitar, with drummer David Walas and bass player David Phillips. This led to an album released after the band stopped playing together called "This Band Was From Mt. Shasta". Additionally, Saxon had several times reformed The Seeds with different musician line-ups.
In 2008, Saxon and the Seeds collaborated on some new songs and recordings with Billy Corgan of the Smashing Pumpkins. Saxon later appeared in the music video of the Smashing Pumpkins' song "Superchrist". Sky Saxon's last performance and recording was done in Austin, Texas.
Death
On June 25, 2009, at age 71, Saxon died unexpectedly in an Austin, Texas, hospital of heart and renal failure due to a simple untreated infection which he had contracted at some point that had spread throughout his organs. Saxon's death was overshadowed by the death of Farrah Fawcett, which in turn was heavily overshadowed by the death of Michael Jackson, all on the same date.
At the time of his death, he had been scheduled to commence a tour of the United States and Canada as part of the "California '66" tour, featuring reformed versions of The Seeds, The Electric Prunes, and Love.
On July 24, 2009, members of The Smashing Pumpkins, Love, and The Electric Prunes performed a tribute concert at the Echoplex in Los Angeles in Saxon's memory.
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