TITLE: PREMIERE Magazine
[ "The MOVIE magazine" -- See FULL contents below!]
ISSUE DATE: MARCH 1993; Vol. 6, No. 77
CONDITION: Standard sized magazine, Approx 10" X 12". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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COVER: Being RICHARD GERE.

C'EST LE GERE BY ANDREW KOPKIND Which Richard do you remember? The disco Lmboat of the '70s? The '80s causenik who raged to Central America and also embraced Dalai Lama? Or the '90s newlywed who le Pretty Wornan back to the A list? Declares aren Hutton, "Richard was the first modern movie star."

LONING A LIE BY RACHEL ABRAMOWITZ the set of Sommersby, Jodie Foster ad-sits that she and Richard Gere are worlds apart. They are completely opposite poles," says di-ector Jon Amicl, "and cach has a fascination with the other."

JOEL SCHUMACHER HAS SOMETHING . . BY JOHN CLARK Pop-culture sponge Joel Schumacher was an in-dustrial-strength party boy before be reinvented himself as a filmmakor best known for a string of Brat Pack dramas. His Jatest effort, Falling Down (starring Michael Douglas), takes him to a new level. "My whole life has been zooming forward, jumping off a diving board," he ex-plains, "and then going 'Oh, shit, there's no water in this pool.' "

ROLE MODEL BY HOWARD KARREN Ever notice how most femalc roles these days fall into one of scveral stereotypes? Is she a Rain Forest Babe or an Underage Neurotic Temptress? In a PREMIERE fashion special, actress Claudia Christian, star of Hexed, shows how '90s starlets are dressing for the parts.

CATCH A WAVE AND YOU'RE SITTIN' ON TOP OF THE WORLD BY PATRICK GOLDSTEIN Imaginc there's no Brian Grazer--it's easy if you try. "In a lot of ways, Brian is the idiot sa-vant of Hollywood producera," says director Barry Sonnenfeld. "He can say crazy things for fifteen minutes, and then in the sixteenth min-ute, something really smart emerges." Mcet the slightly askew genius behind one of Holly-wood's most successful independent production companics.

SHOT BY SHOT: BY MIMI AVINS In Alive, director Frank Marshall wanted "the most realistic plane crash ever." Even the actors got into it: says Marshall, "Vince Spano does a great neck snap."

THE BLUE SCREEN BY JOHN H. RICHARDSON In the second chapter of our serialized fiction, Max Fischer and his archrival, Mitchell Frank, spar over the alleged raps of Frank's daughter, Tracy, and Max keeps the moguls waiting at his birthday party--so he can make an extra-late, but truly grand, entrance. Meanwhile, Peter James frantically searches for the elusive Kovin Costner, camped in the wilderness of Montana with no phone, ccllular or othcrwisc--and competitor's script in his hands.


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