This listing is for Arthur Pryor's Band – Pennsylvania Special March 10" Single Sided 78RPM Record Victor 4866.

Label: Victor – 4866
Format: Shellac, 10", 78 RPM, Single Sided
Country: US
Released: Jan 1906
Genre: Brass & Military
Style: Ragtime   
Composer: Frederick Neil Innes 

Condition:   Jacket:   Paper Sleeve Only           Vinyl:   Good

Tracklist

A "Pennsylvania Special" March

Arthur Willard Pryor (September 22, 1869 – June 18, 1942) was a trombone virtuoso, bandleader, and soloist with the Sousa Band. He was a prolific composer of band music, his best-known composition being "The Whistler and His Dog". In later life, he became a Democratic Party politician from New Jersey, who served on the Monmouth County Board of Chosen Freeholders during the 1930s. Pryor went on to direct the Stanley Opera Company in Denver, Colorado until joining the John Philip Sousa Band in 1892. He played his first solo with the Sousa Band at age 22 during the 1893 World's Columbian Exposition in Chicago. During his 12 years with the Sousa Band, Pryor estimated that he played 10,000 solos. From 1895 to 1903, Pryor was assistant conductor of the Sousa Band. During his association with the "March King", Pryor toured throughout the USA and Europe. While in Europe, he entertained King Edward VII of England and Czar Nicholas II of Russia with his trombone solos. Once while in Germany, all the trombonists of the German Army bands were ordered to hear him play. They were so amazed at his playing that they insisted on taking his trombone apart, refusing to believe that it was natural. Finally one German said: "No one can play so well. It is a Yankee trick."

In 1902 after the death of his father, Pryor ended his association with Sousa and took over the reorganized Pryor band; he led its debut at the Majestic Theatre in New York City on November 15, 1903. For 30 years thereafter, Pryor's band was an American institution. He made his first appearance in Asbury Park, New Jersey at the Shore in 1904, where he continued to play until 1930. The Pryor Band toured until 1909, when he decided to settle down and make Asbury Park the home of the band. Also at this time, he became a staff conductor and arranger for the Victor Talking Machine Company in Camden, New Jersey. He organized a second band that played at the entertainment complex of Coney Island, New York, for a number of years. Pryor composed some 300 works, including marches, novelties, tone poems and three light operas, Jinga Boo, Uncle Tom's Cabin and On the Eve of Her Wedding Day. Among his best-known numbers were "On Jersey Shore", "Queen Titania" and "The Whistler and His Dog". He set to work on an opera titled Peter and Paul, with a libretto by L. Frank Baum; the libretto has been lost. It was intended to star Fred Stone and David Montgomery in several roles in several time periods. During his career, Pryor wrote some of today's most well-known trombone literature, including an arrangement of the heralded "Bluebells of Scotland", as well as band novelty works such as "The Whistler and His Dog", with its piccolo solo, his best-known composition.


CONDITION Descriptions:

I base the condition of each of my Records off of's Grading System. 


• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all. 

• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting. 

• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play. 

• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing. 

• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along. 

• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.

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