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TITLE: AMERICAN ARTIST Magazine
[Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: FEBRUARY 1989; VOLUME 53, ISSUE 559
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

COVER: Midday, Florence, by Michael J. Lynch, 1988, oil, 48x32. Private ColIect,on. Photo courtesy John Pence Gallery, San Francisco, California.

FEATURES:
PHOTOGRAPHING YOUR ARTWORK by Stanley Marcus. Practical advice on making slides of your artwork which can be used to approach galleries, establish permanent records, or enter art shows.

MICHAEL J. LYNCH by M Stephen Doherty. In creating his paintings and the frames around them, this Colorado artist is a skilled craftsman who makes the best use of his talents.

LAWRENCE NELSON WILBUR REVISTED by Dave and Reba Williams. Thirty years after he had won an award from American Artist, this New York City artist was working hard at his paintings and prints until his death at the age of ninety-one.

AN UNUSUAL APPROACH TO ACRYLICS by Henry Drexler. By mixing acrylic paints with gel medium, the author discovered he could extrude colors through syringes and create an impressionistic effect.

THE WATERCOLOR PAGE: DEAN MITCHELL. This Kansas City artist, who has won numerous awards in national juried exhibitions, shares his watercolor technique and experience.

RICHARD TAICHER by Edward Feit. The need to work creatively with oil paints and drawing supplies is felt so strongly by this Pennsylvania artist that he does so in spite of health problems and a demanding work schedule.

JOHN REGISTER by Mark E. Stegmaier. "My process is so spare and rigorous that it is necessary to eliminate not only the extraneous details, but also any arbitrary bravado or technical flourish that would call attention to myself," says this California painter.

EXPRESSING THE FIGURE IN PASTEL by Mary Carroll Nelson. For New Jersey artist Rhoda Yanow, the challenge of depicting a figure in pastel is to capture an intuitive feeling about the model, not just his or her physical appearance.

THE TORPEDO FACTORY ART CENTER by Betsy Schein Goldman. Nearly fifteen years ago, a group of artists and supporters established an art center of studios and galleries in Alexandria, Virginia. That center has become a model for others who take advantage of old factories, schools, and abandoned buildings.

DEPARTMENTS:
FOOTNOTES.
LETTERS.
EDITORIAL.
PROFESSIONAL PAGE by Daniel Grant.
ART MART.
ART BOOKS AND VIDEOS.
QUICK TIPS.
BULLETIN BOARD.
TECHNICAL PAGE by Ralph Mayer.
COMING IN MARCH.
INDEX TO ADVERTISING.
EXHIBITS.


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