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"LA MADRE EN ENFANTE"
LARGE EFFIGY FETISH
DEPICTS A UNICORN MARE AND COLT
PRODUCED BY UNIVERSAL STATUARY
COPYRIGHT 1990
#996
CHICAGO, ILLINOIS (IL)
THE FIGURAL STATUE MEASURES ABOUT 14"x9"x9"
CAST FIGURE HAS NO CHIPS OR CRACKS.
WHITE AND GRAY HAIR
GOLD HORN.
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FYI
The unicorn is a legendary animal commonly portrayed as a white horse with a goat's beard and a large, pointed, spiraling horn projecting from its forehead. First mentioned by the ancient Greeks, it became the most important imaginary animal of the middle ages and Renaissance when it was commonly described as an extremely wild woodland creature, a symbol of purity and grace, which could only be captured by a virgin. In the encyclopedias its horn was said to have the power to render poisoned water potable and to heal sickness. Until the 19th century, belief in unicorns was widespread among historians, alchemists, writers, poets, naturalists, physicians, and theologians.
Unicorns are not found in Greek mythology, but rather in accounts of natural history, for Greek writers of natural history were convinced of the reality of the unicorn, which they located in India, a distant and fabulous realm for them. The earliest description is from Ctesias who described them as wild asses, fleet of foot, having a horn a cubit and a half in length and colored white, red and black. Aristotle must be following Ctesias when he mentions two one-horned animals, the oryx (a kind of antelope) and the so-called "Indian ass". Strabo says that in the Caucasus there were one-horned horses with stag-like heads. Pliny the Elder mentions the oryx and an Indian ox (perhaps a rhinoceros) as one-horned beasts, as well as "a very fierce animal called the monoceros which has the head of the stag, the feet of the elephant, and the tail of the boar, while the rest of the body is like that of the horse; it makes a deep lowing noise, and has a single black horn, which projects from the middle of its forehead, two cubits in length." In On the Nature of Animals (Περ? Ζ?ων ?δι?τητος, De natura animalium), Aelian, quoting Ctesias, adds that India produces also a one-horned horse (iii. 41; iv. 52), and says (xvi. 20) that the monoceros (Greek: μον?κερως) was sometimes called cartazonos (Greek: καρτ?ζωνος), which may be a form of the Arabic karkadann, meaning "rhinoceros".
Cosmas Indicopleustes, a merchant of Alexandria, who lived in the 6th century, and made a voyage to India, and subsequently wrote works on cosmography, gives a figure of the unicorn, not, as he says, from actual sight of it, but reproduced from four figures of it in brass contained in the palace of the King of Ethiopia. He states, from report, that "it is impossible to take this ferocious beast alive; and that all its strength lies in its horn. When it finds itself pursued and in danger of capture, it throws itself from a precipice, and turns so aptly in falling, that it receives all the shock upon the horn, and so escapes safe and sound."
A one-horned animal (which may be just a bull in profile) is found on some seals from the Indus Valley Civilization. Seals with such a design are thought to be a mark of high social rank.
Biblical
The aurochs
An animal called the re’em (Hebrew) is mentioned in several places in the Hebrew Bible, often as a metaphor representing strength. "The allusions to the re'em as a wild, un-tamable animal of great strength and agility, with mighty horn or horns (Job xxxix. 9–12; Ps. xxii. 21, xxix. 6; Num. xxiii. 22, xxiv. 8; Deut. xxxiii. 17; comp. Ps. xcii. 11), best fit the aurochs (Bos primigenius). This view is supported by the Assyrian rimu, which is often used as a metaphor of strength, and is depicted as a powerful, fierce, wild mountain bull with large horns." This animal was often depicted in ancient Mesopotamian art in profile, with only one horn visible.
The translators of the Authorized King James Version of the Bible (1611) followed the Greek Septuagint (monokeros) and the Latin Vulgate (unicornis) and employed unicorn to translate re'em, providing a recognizable animal that was proverbial for its un-tamable nature. The American Standard Version translates this term "wild ox" in each case.
Qilin
Though the qilin (Chinese), a creature in Chinese mythology, is sometimes called "the Chinese unicorn", it is a hybrid animal that looks less unicorn than chimera, with the body of a deer, the head of a lion, green scales and a long forwardly-curved horn. The Japanese version (kirin) more closely resembles the Western unicorn, even though it is based on the Chinese qilin. The Qu? Ly of Vietnamese myth, similarly sometimes mistranslated "unicorn" is a symbol of wealth and prosperity that made its first appearance during the Duong Dynasty, about 600 CE, to Emperor Duong Cao To, after a military victory which resulted in his conquest of Tay Nguyen.
Middle Ages and Renaissance
The predecessor of the medieval bestiary, compiled in Late Antiquity and known as Physiologus (Φυσιολ?γος), popularized an elaborate allegory in which a unicorn, trapped by a maiden (representing the Virgin Mary), stood for the Incarnation. As soon as the unicorn sees her, it lays its head on her lap and falls asleep. This became a basic emblematic tag that underlies medieval notions of the unicorn, justifying its appearance in every form of religious art. Interpretations of the unicorn myth focus on the medieval lore of beguiled lovers, whereas some religious writers interpret the unicorn and its death as the Passion of Christ. The myths refer to a beast with one horn that can only be tamed by a virgin; subsequently, some writers translated this into an allegory for Christ's relationship with the Virgin Mary.
The unicorn also figured in courtly terms: for some 13th century French authors such as Thibaut of Champagne and Richard de Fournival, the lover is attracted to his lady as the unicorn is to the virgin. With the rise of humanism, the unicorn also acquired more orthodox secular meanings, emblematic of chaste love and faithful marriage. It plays this role in Petrarch's Triumph of Chastity.
The royal throne of Denmark was made of "unicorn horns" – almost certainly narwhal tusks. The same material was used for ceremonial cups because the unicorn's horn continued to be believed to neutralize poison, following classical authors.
Heraldry
In heraldry, a unicorn is depicted as a horse with a goat's cloven hooves and beard, a lion's tail, and a slender, spiral horn on its forehead. Whether because it was an emblem of the Incarnation or of the fearsome animal passions of raw nature, the unicorn was not widely used in early heraldry, but became popular from the 15th century. Though sometimes shown collared, which may perhaps be taken in some cases as an indication that it has been tamed or tempered, it is more usually shown collared with a broken chain attached, showing that it has broken free from its bondage and cannot be taken again.
It is probably best known from the royal coats of arms of Scotland and the United Kingdom: two unicorns support the Scottish arms; a lion and a unicorn support the UK arms, representing the 1707 Union of England (whose traditional heraldic symbol is the lion) and Scotland. As a result of its heraldic use, two gold coins were issued in Scotland known as the unicorn and half-unicorn, both with a unicorn on the obverse. The arms of the Worshipful Society of Apothecaries in London has two golden unicorn supporters (although, as emblazoned on its homepage, they have horses', not lions', tails).
(THIS PICTURE FOR DISPLAY ONLY)
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