VTG NORMAN ROCKWELL LITHO PRINT ART STREET WAS NEVER THE SAME OLD FORD MODEL CAR




Description

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"THE STREET WAS

 NEVER THE SAME"

VINTAGE LITHOGRAPH

PRINT ART

BY RENOWNED ARTIST

NORMA ROCKWELL

SUGGESTED THAT THIS WAS DISTRIBUTED AS AN ADVERTISING PROMOTIONAL FOR FORD AUTO DELAERSHIPS IN THE 1950s

ADVERTISMENT PROMO MEASURES

20" X 20"

SEE THE COLORS

THE FACIAL EXPRESSIONS

THE DETAILS

POLICE

PRIEST

NANNY

HORSES DOGS

KIDS

ROOFTOPS

LAMP LIGHTS

LADDERS

LAUNDRY

PAINTERS

ROOFERS

'EVERY MAN' 

HEAVY CONSTRUCTION PAPER

WONDERFUL EARLY AMERICANA

GREAT DECOR FOR YOUR OFFICE OR DEN

 


 

 

 

 

 

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FYI 


 

 
 

Norman Perceval Rockwell (February 3, 1894 – November 8, 1978) was a 20th-century American painter and illustrator. His works enjoy a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life scenarios he created for The Saturday Evening Post magazine for more than four decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem We All Live With, Saying Grace and the Four Freedoms series. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), producing covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout is Reverent, and A Guiding Hand among many others.

Norman Rockwell was born on February 3, 1894, in New York City, to Jarvis Waring Rockwell and Anne Mary "Nancy" (born Hill) Rockwell. His earliest American ancestor was John Rockwell (1588–1662), from Somerset, England, who immigrated to America, probably in 1635, aboard the ship Hopewell and became one of the first settlers of Windsor, Connecticut. He had one brother, Jarvis Waring Rockwell, Jr., older by a year and a half. Jarvis Waring, Sr., was the manager of the New York office of a Philadelphia textile firm, George Wood, Sons & Company, where he spent his entire career.

Rockwell transferred from high school to the Chase Art School at the age of 14. He then went on to the National Academy of Design and finally to the Art Students League. There, he was taught by Thomas Fogarty, George Bridgman, and Frank Vincent DuMond; his early works were produced for St. Nicholas Magazine, the Boy Scouts of America (BSA) publication Boys' Life and other youth publications.

As a student, Rockwell was given smaller, less important jobs. His first major breakthrough came in 1912 at age eighteen with his first book illustration for Carl H. Claudy's Tell Me Why: Stories about Mother Nature.

In 1912, Rockwell was hired as a staff artist for Boys' Life magazine. In this role, he received fifty dollars compensation each month for one completed cover and a set of story illustrations. It is said to have been his first paying job as an artist. In 1913, the nineteen-year-old Rockwell became the art editor for Boys' Life, published by the Boy Scouts of America, a post he held for three years (1913–16). As part of that position, he painted several covers, beginning with his first published magazine cover, Scout at Ship's Wheel, appearing on the Boys' Life September 1913 edition.

Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old and shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, he submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14) and Man Playing Santa (December 9). Rockwell was published eight times total on the Post cover within the first twelve months. Norman Rockwell published a total of 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.

Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably The Literary Digest, The Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life Magazine.

When Rockwell's tenure began with The Saturday Evening Post in 1916, Rockwell left his salaried position at Boys' Life, but continued to include Scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which can still be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, TX.

During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 6 feet (1.8 m) tall and 140 pounds (64 kg) he was eight pounds underweight. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. However, he was given the role of a military artist and did not see any action during his tour of duty.

Later career
Rockwell's last painting for the Post was published in 1963, marking the end of a publishing relationship that had included 321 cover paintings. He spent the next ten years painting for Look magazine, where his work depicted his interests in civil rights, poverty and space exploration. In 1968, Rockwell was commissioned to do an album cover portrait of Mike Bloomfield and Al Kooper for their record The Live Adventures of Mike Bloomfield and Al Kooper. During his long career, he was commissioned to paint the portraits for Presidents Eisenhower, Kennedy, Johnson, and Nixon, as well as those of foreign figures, including Gamal Abdel Nasser and Jawaharlal Nehru. One of his last works was a portrait of Judy Garland in 1969.

A custodianship of his original paintings and drawings was established with Rockwell's help near his home in Stockbridge, Massachusetts, and the Norman Rockwell Museum is still open today year round. The museum's collection includes more than 700 original Rockwell paintings, drawings, and studies. The Rockwell Center for American Visual Studies at the Norman Rockwell Museum is a national research institute dedicated to American illustration art.

His last commission for the Boy Scouts of America was a calendar illustration titled The Spirit of '76 which was completed when Rockwell was eighty-two, concluding a partnership which generated an astounding four hundred and seventy-one images for periodicals, guidebooks, calendars, and promotional materials. His connection to the BSA spanned sixty-four years, marking the longest professional association of his career. Joseph Csatari has carried on his legacy and style for the BSA.

For "vivid and affectionate portraits of our country," Rockwell received the Presidential Medal of Freedom, the United States of America's highest civilian honor, in 1977.

Rockwell died November 8, 1978, of emphysema at age 84 in Stockbridge, Massachusetts. First Lady Rosalynn Carter attended his funeral.

Personal life
Rockwell married his first wife, Irene O'Connor, in 1916. Irene was Rockwell's model in Mother Tucking Children into Bed, published on the cover of The Literary Digest on January 19, 1921. However, the couple divorced in 1930. Depressed, he moved briefly to Alhambra, California as a guest of his old friend Clyde Forsythe. There he painted some of his best-known paintings including The Doctor and the Doll. While there he met and married schoolteacher Mary Barstow. The couple returned to New York shortly after their marriage. They had three children: Jarvis Waring, Thomas Rhodes and Peter Barstow. The family lived at 24 Lord Kitchener Road in the Bonnie Crest neighborhood of New Rochelle, New York. For multiple reasons Rockwell and his wife were not regular Church attendees though they were members of St. John's Wilmot Church, an Episcopal church near their home, and had their sons baptized there as well. Rockwell moved to Arlington, Vermont, in 1939 where his work began to reflect small-town life.

In 1953, the Rockwell family moved to Stockbridge, Massachusetts, so that his wife could be treated at the Austen Riggs Center, a psychiatric hospital at 25 Main Street, down Main Street from where Rockwell set up his studio. Rockwell himself received psychiatric treatment from the analyst Erik Erikson, who was on staff at Riggs. Erikson is said to have told the artist that he painted his happiness, but did not live it. In 1959, Mary died unexpectedly of a heart attack. Rockwell married his third wife, retired Milton Academy English teacher Mary Leete "Mollie" Punderson, on October 25, 1961.

From 1961 until his death, Rockwell was a member of the Monday Evening Club, a men's literary group based in Pittsfield, Massachusetts. At his funeral, five members of the club served as pallbearers, along with Jarvis Rockwell.

 

 



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