VTG TRINKET BOX ZANZIBAR CLOVER SECOND PERSON SOUTH AFRICA SA BILLSTON BATTERSEA

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The technique was in ancient times mostly used for jewellery and small fittings for clothes, weapons or similar small objects decorated with geometric or schematic designs, with thick cloison walls. In the Byzantine Empire techniques using thinner wires were developed to allow more pictorial images to be produced, mostly used for religious images and jewellery, and now always using enamel. By the 14th century this enamel technique had spread to China, where it was soon used for much larger vessels such as bowls and vases; the technique remains common in China to the present day, and cloisonne enamel objects using Chinese-derived styles were produced in the West from the 18th century.

Cloisonne first developed in the jewelry of the ancient Near East, typically in very small pieces such as rings, with thin wire forming the cloisons. In the jewellery of Ancient Egypt, including the pectoral jewels of the Pharaohs, thicker strips form the cloisons, which remain small. In Egypt gemstones and enamel-like materials sometimes called "glass-paste" were both used. Cloisonne spread to surrounding cultures and a particular type, often known as garnet cloisonne is widely found in the Migration Period art of the "barbarian" peoples of Europe, who used gemstones, especially red garnets, as well as glass and enamel, with small thick-walled cloisons. Red garnets and gold made an attractive contrast of colours, and for Christians the garnet was a symbol of Christ. This type is now thought to have originated in the Late Antique Eastern Roman Empire and to have initially reached the Migration peoples as diplomatic gifts of objects probably made in Constantinople, then copied by their own goldsmiths. Glass-paste cloisonne was made in the same periods with similar results - compare the gold Anglo-Saxon fitting with garnets (right) and the Visigothic brooch with glass-paste in the gallery. Thick ribbons of gold were soldered to the base of the sunken area to be decorated to make the compartments, before adding the stones or paste. Sometimes compartments filled with the different materials of cut stones or glass and enamel are mixed to ornament the same object, as in the purse-lid from Sutton Hoo.[8] In the Byzantine world the technique was developed into the thin-wire style suitable only for enamel described below, which was imitated in Europe from about Carolingian period onwards.

First the object to be decorated is made or obtained; this will normally be made by different craftsmen. The metal usually used for making the body is copper, since it is cheap, light and easily hammered and stretched, but bronze, silver or other metals may be used. Cloisonne wire is made from pure silver or gold and is usually about .010 x .040 inches in cross section; brass and occasionally copper can also be used. It is bent into shapes that define the colored areas. The bends are all done at right angles, so that the wire does not curve up. This is done with small pliers, tweezers, and custom-made jigs. The cloisonne wire pattern may consist of several intricately constructed wire patterns that fit together into a larger design. Solder can be used to join the wires, but this causes the enamel to discolor and form bubbles later on. Most existing Byzantine enamels have soldered cloisons, however the use of solder to adhere the cloison wires has fallen out of favor due to its difficulty, with the exception of some "purist contemporary enamellists" who create fine watch faces and high quality very expensive jewelry. Instead of soldering the cloisons to the base metal, the base metal is fired with a thin layer of clear enamel. The cloisonne wire is glued to the enamel surface with gum tragacanth. When the gum has dried, the piece is fired again to fuse the cloisonne wire to the clear enamel. The gum burns off, leaving no residue.

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Second Person were a British band that existed for 10 years between 2001 and 2011 and mixed influences from trip hop, jazz, hip hop and electronica to form post-trip hop.

In late 2001, singer Julia Johnson and producer/bassist Mark Maclaine met, and early the following year formed the band Second Person. Drummer Alvaro Lopez was recruited in mid-2004 to complete the final line up and their debut album Chromatography was released later that year. It went on to sell out of its initial white-label run in United Kingdom, USA and Australia through word of mouth and publicity generated by musical placements on documentaries and extreme sports films. The opening song "Too Cold To Snow" was later featured in the closing credits of 2006 film Dolls. The band went on to record a live DVD at The Bedford in London, score music for a number of British broadcasters (including BBC and Channel 4) and became one of the main suppliers of music for the international broadcaster: The Extreme Sports Channel.

The band released their second album The Elements on 9 August 2007, it was co-produced and mixed by producer/engineer Tony Platt (Bob Marley, Iron Maiden and also credited with engineering the second biggest selling album of all time: AC/DC's Back in Black). This album gained a high media profile in Europe as Second Person were the first British band to have raised the $50,000 target on Sellaband - which allowed fans to invest directly in bands on the site.

Julia and Mark composed the music for the British feature film City Rats, starring Danny Dyer and Tamer Hassan and released in the cinemas in April 2009.

The band announced their split on 2 April 2011, along with the release of their third and final album: "Come to Dust". This full-length album includes songs such as Gone Fishing, the video for which (directed by Katy Davis) gained extensive play on MTV and was used as part of Cobra Beer's sponsorship of ITV movies in the UK. Other video directors include: Ebba Erikzon (Radiohead's "2+2=5" video), Mina Song (Gnarls Barkley: "Crazy"), Everton Sebben and Mark Maclaine.

In a final email to their fans the band wrote: "Second Person has always been an expression of our combined love of many styles of music and was founded on a shared desire to tell powerful stories. We had to do this during times of big change in the music industry, and although sometimes scary, it also allowed us to do things our own way. Something that kept us going was the support and love of a core group of dedicated fans. You are those people and we wanted to thank you for being there for us."

 

 

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