TITLE: The ARTIST'S Magazine
[Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: JANUARY 1995; VOLUME TWELVE, NUMBER ONE
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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COVER: View Eugley's Wharf by Leslie Frontz.

PASTELS WITH PRESENCE How Claire Miller Hopkins draws moody pastel portraits out of luminous underpaintings. By Madlyn-Ann C. Woolwich. Page 48.

"HATCHING" A PLOT FOR TEXTURED WATERCOLORS Weave shimmering texture into your watercolors with hatching and crosshatching. By Dwight Baird. Page 54.

SHATTERING SPACE Forge exciting new forms and relationships by breaking apart your still life paintings. By Barbara Millican. Page 60.

PAINTING FOR IMPACT Learn these simple techniques for building images that perfectly express your message. By Leslie Frontz. Page 66.

SPECIAL SECTION: BECOME A PAPER- TRAINED ARTIST Set your creativily free: Explore the hidden possihilities of paper. By David Pyle, Page 36.

LETTER FROM THE EDITOR: Some youthful lessons on drawing. Page 4. LETTERS Page 8.
THE DRAW1NG BOARD Tips for drawing man's best friend. Page 12.
STRICTLY BUSINESS Expert advice on color trends. Page 18.
TECHNICAL ANSWERS A comprehensive guide to painting oils with permanence, plus more. Page 21.
YOUNG AT ART The ins and outs of jurying. Page 26.
ARTIST'S MARKET Develop winning presentations. Page 30.
ARTIST'S LIFE Discover "metamorphic" art that's more than it seems. Page 45.
1995 ART COMPETITION Page 46.
AIRBRUSHING Use sepia-toned paint to create works with drama and soul. Page 71.
STATE OF THE ART New relief for the sting of rejection, a legal hotline, and other services. Page 78.
P.S. Outtakes on the masters. Page 88.
THE SWIPE FILE Make your own brush canier, create a quielmount easel, double the lire of paper towels--and more! Atter page 44.


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