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2001: A Space Odyssey (Music From The Motion Picture Sound Track)
Label: MGM Records ?– S1E-13 ST
Format: Vinyl, LP, Album 
Country: Canada
Released:1968
Genre: Classical, Stage & Screen
Style: Soundtrack, Neo-Romantic, Neo-Classical, Contemporary
 
 
Tracklist
A1 –Karl Böhm Conducting The Berlin Philharmonic Orchestra* Also Sprach Zarathustra (Thus Spoke Zarathustra)
Composed By – Richard Strauss
Conductor – Karl Böhm
1:37
A2 –Francis Travis Conducting The Bavarian Radio Orchestra* Requiem For Soprano, Mezzo Soprano, Two Mixed Choirs And Orchestra
Composed By – György Ligeti
Conductor – Francis Travis
4:04
A3 –Stuttgart Schola Cantorum* Conducted By Clytus Gottwald Lux Aeterna
Composed By – György Ligeti
Conductor – Clytus Gottwald
5:50
A4 –Herbert von Karajan Conducting The Berlin Philharmonic Orchestra* The Blue Danube
Composed By – Johann Strauss*
Conductor – Herbert von Karajan
6:55
B1 –Leningrad Philharmonic Orchestra Conducted By Gennadi Rozhdestvensky Gayane Ballet Suite (Adagio)
Composed By – Aram Khachaturian*
Conductor – Gennadi Rozhdestvensky
5:12
B2 –Sudwestfunk Orchestra* Conducted By Ernest Bour Atmospheres
Composed By – György Ligeti
Conductor – Ernest Bour
7:56
B3 –Herbert von Karajan Conducting The Berlin Philharmonic Orchestra* The Blue Danube
Composed By – Johann Strauss*
Conductor – Herbert von Karajan
3:30
B4 –Karl Böhm Conducting The Berlin Philharmonic Orchestra* Also Sprach Zarathustra (Thus Spoke Zarathustra)
Composed By – Richard Strauss
Conductor – Karl Böhm
1:37
 
 
Companies, etc.
Manufactured By – MGM Records Division
Pressed By – MGM Records Division
Credits
Technician [Album Prepared By] – Jesse Kaye
Notes
Gatefold Packaging
MGM Records in association with Deutsche Grammophon presents Music from the Motion Picture Sound Track.
 
MGM presents A Stanley Kubrick Production 2001 a space odyssey. Cinerama super panivision and metrocolor. 
 
Album prepared by Jesse Kaye And The MGM Studio Sound Department.
 
?© Metro Goldwyn Mayer Inc./Printed in U.S.A.
 
Manufactured by MGM Records Division; Metro Goldwyn Mayer Inc.
Made in U.S.A.
 
A1 to A3 & B4: C.F. Peters Corp. BMI
A4 & B3: Public Domain
B1: MCA Music ASCAP
B2: Universal Edition Ltd. BMI
 
Cat no. on spine and sleeve: S1E-13 ST 
Cat no. on labels: SIE 13 ST

SOUND TESTED - BUYER APPROVED
PLAYS EX > -NM
COVER VG > VG+
https://www.youtube.com/watch?time_continue=1&v=fXu8iR9N-mc
(EXAMPLE - NOT ACTUAL)

 
 

-------------------------
FYI


A space suit is a complex system of garments, equipment and environmental systems designed to keep a person alive and comfortable in the harsh environment of outer space. This applies to extra-vehicular activity (EVA) outside spacecraft orbiting Earth, and has applied to walking, and riding the Lunar Rover, on the Moon.

Some of these requirements also apply to pressure suits worn for other specialized tasks, such as high-altitude reconnaissance flight. Above Armstrong's Line (around 19,000 m/62,000 ft), the atmosphere is so thin that pressurized suits are needed. Hazmat suits that superficially resemble space suits are sometimes used when dealing with biological hazards.

The first full pressure-suits for use at extreme altitudes were designed by individual inventors as early as the 1930s. The first space suit worn by a human in space was the Soviet Union SK-1 series.

Spacesuit requirements
Space suits being used to work on the International Space Station.
A 3D anaglyph of a space suit. 3D red cyan glasses are recommended to view this image correctly.A space suit must perform several functions to allow its occupant to work safely and comfortably. It must provide:

A stable internal pressure. This can be less than earth's atmosphere, as there is usually no need for the spacesuit to carry nitrogen (which comprises about 78% of earth's atmosphere and is not used by the body). Lower pressure allows for greater mobility, but requires the suit occupant to breathe pure oxygen for a time before going into this lower pressure, to avoid decompression sickness.
Mobility. Movement is typically opposed by the pressure of the suit; mobility is achieved by careful joint design. See the Theories of spacesuit design section.
Breathable oxygen. Circulation of cooled and purified oxygen is controlled by the Primary Life Support System.
Temperature regulation. Unlike on Earth, where heat can be transferred by convection to the atmosphere, in space heat can be lost only by thermal radiation or by conduction to objects in physical contact with the space suit. Since the temperature on the outside of the suit varies greatly between sunlight and shadow, the suit is heavily insulated, and the temperature inside the suit is regulated by a Liquid Cooling Garment in contact with the astronaut's skin, as well as air temperature maintained by the Primary Life Support System.
Shielding against ultraviolet radiation
Limited shielding against particle radiation
Protection against small micrometeoroids, provided by a Thermal Micrometeoroid Garment, which is the outermost layer of the suit
A communication system
Means to recharge and discharge gases and liquids
Means to maneuver, dock, release, and/or tether onto spacecraft
Means of collecting and containing solid and liquid waste (such as a Maximum Absorbency Garment)
As part of astronautical hygiene control (i.e., protecting astronauts from extremes of temperature, radiation, etc.), a spacesuit is essential for extravehicular activity. Within its 18,000 or so parts, it contains everything an astronaut needs to stay alive, including oxygen, water, temperature control, and carbon dioxide removal. Because of the hazards from micro-meteoroids traveling at 27,000 kilometers per hour, it is important that the outer layer of the suit be puncture-resistant. The Apollo/Skylab A7L suit included eleven layers in all: an inner liner, a liquid cooling and ventilation garment, a pressure bladder, a restraint layer, another liner, and a thermal micrometeoroid garment consisting of five aluminized insulation layers and an external layer of white Ortho-Fabric. This spacesuit is capable of protecting the astronaut from temperatures ranging from -156 °C to +121 °C.

It is expected that manned exploration of the Moon and Mars will occur within the next two decades. During exploration, there will be the potential for lunar/Martian dust to be retained on the spacesuit. When the spacesuit is removed on return to the spacecraft, there will be the potential for the dust to contaminate surfaces and increase the risks of inhalation and skin exposure. Astronautical hygienists are testing materials with reduced dust retention times and the potential to control the dust exposure risks during planetary exploration. Novel ingress/egress approaches, such as suitports, are being explored as well.

In NASA spacesuits, communications are provided via a cap worn over the head, which includes earphones and a microphone. Due to the coloration of the version used for Apollo and Skylab, which resembled the coloration of the comic strip character Snoopy, these caps became known as "Snoopy caps".

Exposure to space without a spacesuitThe human body can briefly survive the hard vacuum of space unprotected, despite contrary depictions in much popular science fiction. Human flesh expands to about twice its size in such conditions, giving the visual effect of a body builder rather than an overfilled balloon. Consciousness is retained for up to 15 seconds as the effects of oxygen starvation set in. No snap freeze effect occurs because all heat must be lost through thermal radiation or the evaporation of liquids, and the blood does not boil because it remains pressurized within the body. The greatest danger is in attempting to hold one's breath before exposure, as the subsequent explosive decompression can damage the lungs. These effects have been confirmed through various accidents (including in very high altitude conditions, outer space and training vacuum chambers). Human skin does not need to be protected from vacuum and is gas-tight by itself. Instead it only needs to be mechanically compressed to retain its normal shape. This can be accomplished with a tight-fitting elastic body suit and a helmet for containing breathing gases, known as a Space activity suit.

The oldest space fiction ignored the problems of traveling through a vacuum, and launched its heroes through space without any special protection. In the later 19th century, however, a more realistic brand of space fiction emerged, in which authors have tried to describe or depict the space suits worn by their characters. These fictional suits vary in appearance and technology, and range from the highly authentic to the utterly improbable.

A very early fictional account of space suits can be seen in the book Edison's Conquest of Mars (1898). Later comic book series such as Buck Rogers (1930s) and Dan Dare (1950s) also featured their own takes on space suit design. Science fiction authors such as Robert A. Heinlein contributed to the development of fictional space suit concepts.
 

 





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