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Sounds Of The Campus

Label: Chestnut Hill Academy

Format: Vinyl, LP, 10"

Country: US

Released: ? (c.1960 +/-)

Genre: Non-Music

Style: Field Recording, Education, Spoken Word


Tracklist

A1 Morning Chapel

A2 Joint Glee Clubs Rehearsal

A3 Robert A. Kingsley - Headmaster

A4 Cheer

B1 Morning Assembly

B2 Eleanor E. Potter - Headmistress

B3 Cheer


Springside School - Chestnut Hill Academy Joint Campaign

Matrix / Runout (Side A runout): b&c 8976 A CHA

Matrix / Runout (Side B runout): b&c 8976 B SS


SOUND TESTED - BUYER APPROVED

RECORD PLAYS VG > VG+

(side "A" has brief scratch near end, may need cleaned)

https://youtu.be/oKsZ2nLLJkw

https://youtu.be/EDj0c8ieoEw

(ACTUAL VIDEO OF RECORD)

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FYI



Springside Chestnut Hill Academy (also known as SCH Academy or SCH) is an independent, non-sectarian Pre-K through grade 12 school located in Chestnut Hill, Philadelphia, Pennsylvania, approximately 10 miles from Center City.

SCH serves over 1,100 students from more than 100 zip codes, as well as from other countries. 40% of its students identify as people of color.

History

Springside Chestnut Hill Academy was formed by the 2010 merger between all-girls Springside School and all-boys Chestnut Hill Academy (CHA), private Pre-K–12 schools on adjacent campuses.

Founded in 1861, Chestnut Hill Academy was an all-male Pre-K-12 independent college preparatory school located in northwest Philadelphia. CHA was the oldest all-boys school in Greater Philadelphia.

Springside was founded in 1879 by Ms. Jane Bell and Ms. Walter Comegys as a French and English boarding school for young ladies and girls. The school was located on Norwood Avenue in Chestnut Hill, Philadelphia. Springside was initially a boarding school and attracted students from across the Northeast, particularly in New England, where most boarding schools were only for boys.

Curriculum

There are more than 100 electives available to Upper School students, including forensics, architectural design, global economics, and multivariable calculus. There are also more than 40 student-led clubs, boards, and activities. SCH teachers have an average of 18 years of experience, and 73% of faculty hold advanced degrees.

In 2012, SCH Academy established the Sands Center for Entrepreneurial Leadership (CEL) to complement its core curriculum and cultivate an entrepreneurial mindset. Philadelphia magazine named SCH one of 19 area schools rethinking education in big and small ways for its CEL program in 2018. The center is unique in the nation in that the entrepreneurial curriculum is built into student schedules from Pre-Kindergarten through grade 12.

In addition to its Center for Entrepreneurial Leadership, SCH has robotics, arts & new media, outdoor education, and sustainability initiatives.

SCH's FIRST Robotics Competition team competed in close to 20 FIRST Championships, finishing four times in the top 10 and winning the FIRST Chairman's Award eight times. In 2019, Team 1218, SCH's Upper School robotics team, won the FIRST World Championship.[5][circular reference]

SCH was also one of the first Philadelphia independent schools to offer video production, design, and fabrication classes. Students have won awards in the Greenfield Youth Film Festival, Cappies, Scholastic Art Awards, national DiscoverDesign Competition, Philadelphia Independence Awards, and the WHYY Youth Media Awards.

SCH prioritizes sustainability efforts, including its native arboreta, rain gardens, LEED Gold science, technology center, and rooftop solar panels. SCH earned 3-Star Green Restaurant rating for its school cafeterias and a Green Flag Award from the National Wildlife Federation.

Extracurricular activities

Athletics

SCH's athletic teams play in the Inter-Academic League (Inter-ac), which, since its inception in 1887, remains the nation's oldest interscholastic athletic conference.

Students can choose from 18 sports, 15 offering junior and varsity levels. The school offers cross country, field hockey, football, golf, soccer, tennis, volleyball, tennis, crew, basketball, ice hockey, track and field, indoor track, squash, wrestling, life sports and fitness, baseball, lacrosse, and softball.

Sports facilities include nine playing fields, two turf fields, the longest continuously used baseball diamond in the U.S., ten squash courts, and an indoor rowing tank. In 2017-2018, SCH won three PAISAA state titles: boys and girls soccer and softball. SCH also won a SEPA championship for girls' soccer and three Inter-AC championships for boys' soccer, softball, and girls' track and field in 2018. In 2021-2022, SCH won two PAISAA state titles: girls' soccer and softball. The crew team sent five boats to Nationals in 2022, and the girls won a National Championship gold medal.

In their third year, the Philadelphia Eagles held training camp at Chestnut Hill Academy prior to the 1935 season.

Campus

The school is situated on a 62-acre campus adjacent to the Wissahickon Creek watershed in Fairmount Park and includes the Wissahickon Inn, listed on the National Register of Historic Places.

It opened its new McCausland Lower School & Commons in the fall of 2019. The learning experience remains single-sex, with gender- and age-specific pre-k to 4th-grade classrooms, while leveraging the benefits of shared common and cooperative space and access to outdoor learning areas. The building is perched on 10 acres of SCH woods adjacent to the Wissahickon Watershed.

In addition to the Lower School, SCH is home to the Thornley Middle School, and Upper School students travel between campuses for the Center for Entrepreneurial Leadership classes, science classes, and robotics & engineering found in the Rorer Science Center. The Upper School's home is in the historic Wissahickon Inn.

In 2020, the school opened its first Early Childhood Center for children ages 18 months to 4 years old. Aligning with SCH's mission to inspire unbounded curiosity and independent thought, the center follows the Reggio Emilia approach—an internationally recognized and respected teaching method.

Notable alumni

Christopher Alleyne (2017): He plays for L.A. Dodgers minor league baseball league.

Cole Brown (2015): Author of Greyboy: Finding Blackness in a White World (2020); Nominations: NAACP Image Award for Outstanding Literary Work - Debut Author.

Ibraheim Campbell (2010): an American football safety with the Cleveland Browns who played college football at Northwestern

Joseph S. Clark (1918): Philadelphia mayor, 1952–56; U.S. Senator from Pennsylvania, 1957–69

Mo'ne Davis (2019) – Participant in the 2014 Little League World Series and 2014 AP Women's Athlete of the Year; current softball player at Hampton University[7][8]

Michael Fiebach (digital marketing entrepreneur, founder of Fame House

Melissa Fitzgerald (1983): Actress and the Senior Director of the nonprofit organization Justice For Vets. She is best known for portraying Carol Fitzpatrick on The West Wing.

Dan Gargan (2001): defender for the San Jose Earthquakes

Thomas S. Gates Jr. (1924): Secretary of the Navy and Secretary of Defense during the Eisenhower Administration

Eliza Griswold (1991): Pulitzer Prize-winning American journalist and poet.

Jonathan Adam Holland (1990): American rower who competed in the men's coxless pair event at the 1996 Summer Olympics. He graduated from Harvard University.

Eamon Javers (1990): CNBC’s Senior Washington Correspondent. He also reports on the U.S. Department of Justice and its Antitrust division’s expected battle with Big Tech. Javers joined CNBC in June 2010 as a Washington reporter based at the bureau in the nation’s capital and appears on the network’s Business Day programming.

Allyn Joslyn (1919): stage, film, radio, and television actor.

Mike Koplove (1995): Major League Baseball pitcher.

Irving Langmuir (1898): winner of the 1932 Nobel Prize in Chemistry.

Jeff Larentowicz (2001): professional soccer player for the Chicago Fire.

Fred Lovegrove (1958): Connecticut state senator.

Pat Meehan (1974): U.S. Representative.

Dave Miller (1992): Head Coach of Division 1 Manhattan College Jaspers.

David Nalle (1942): American diplomat and scholar.

Alec Ounsworth (1996): Musician in Clap Your Hands Say Yeah.

Joshua Pearson (1982): lead editor of Summer of Soul, Academy Award-winning documentary.[9][circular reference]

Dave Simms American Sportscaster.

Isaac Starr (1912): developed the first practical ballistocardiograph; Dean of the Perelman School of Medicine at the University of Pennsylvania from 1945 to 1948

Michael Strange: (1977) Owner Bassetts Ice Cream, America's oldest ice cream company and a Philadelphia Institution.

Stuart Taylor, Jr.: Member of the Brookings Institution; columnist for the National Journal and Contributing Editor for Newsweek

John Wolf (1966): Assistant Secretary of State for Non-Proliferation.

Taylor Ellis-Watson (2011): American track and field athlete. She was a member of the winning relay team for the United States Olympic team in the women's 4×400 meter relay for the 2016 Summer Olympics in Rio de Janeiro.

Lud Wray (1913): former NFL player and coach. First official coach of the Philadelphia Eagles Franchise.

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In music, a single or record single is a type of release, typically a recording of fewer tracks than an LP or a CD. This can be released for sale to the public in a variety of different formats. In most cases, the single is a song that is released separately from an album, but it can still appear on an album. Often, these are the most popular songs from albums that are released separately for promotional uses such as commercial radio airplay, and in other cases a recording released as a single does not appear on an album. 45 rpm records are played on a record player or turntable. They can be played one at a time, with the records changed manually after they finish, or a stacking spindle could be used to play up to six in succession without manually changing them. The use of the spindle led to the coined "Stack O Wax" term in the 1950s.

History: The basic parameters of the music single were established in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercial music. Gramophone discs were manufactured with a range of playback speeds (from 16 rpm to 78 rpm) and in several sizes (including 12″/30 cm). By around 1910, however, the 10-inch (25 cm) 78 rpm shellac disc had become the most commonly used format.

The inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The relatively crude disc cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, and a high rotation speed was necessary to achieve acceptable recording and playback fidelity. 78 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm.

These factors, combined with the 10-inch songwriters and performers increasingly tailored their output to fit the new medium. The 3-minute single remained the standard into the 1960s when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recordings. In 1968 songwriter Jimmy Webb shattered the standard 3 minute format with "MacArthur Park" which exceeds 7 minutes length. Although Webb had written million-selling songs and was a multiple Grammy winner, the song had been rejected by several labels as simply too long for the marketplace to bear. The Beatles' also challenged deliberately the long-standing 3-minute standard for pop singles with their 1968 7 minute 20 second single "Hey Jude" which according to some was extended in length in order to exceed "MacArthur Park"

Singles have been issued in various formats, including 7-inch (18 cm), 10-inch (25 cm) and 12-inch (30 cm) vinyl discs (usually playing at 45 rpm); 10-inch (25-cm) shellac discs (playing at 78 rpm); cassette, 8 and 12 cm (3- and 5-inch) CD singles and 7-inch (18 cm) plastic flexi discs. Other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc (5″/12 cm, 8″/20 cm, etc.).

The most common form of the vinyl single is the 45 or 7 inch, the names are derived from its play speed, 45 rpm and the standard diameter 7″ (18 cm).

The 7″ 45 rpm record was introduced in 1949 by RCA as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs. The first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s.

Although 7″ remained the standard size for vinyl singles, 12″ singles were introduced for use by DJs in discos in the 1970s. The longer playing time of these singles allowed the inclusion of extended dance mixes of tracks. In addition, the larger surface area of the 12″ discs allowed for wider grooves (larger amplitude) and greater separation between grooves, the latter of which results in less cross-talk. Consequently, they 'wore' better, and were less susceptible to scratches. The 12″ single is still considered a standard format for dance music, though its popularity has declined in recent years.

The sales of singles are recorded in record charts in most countries in a Top 40 format. These charts are often published in magazines and numerous television shows and radio programs count down the list. In order to be eligible for inclusion in the charts the single must meet the requirements set by the charting company, usually governing the number of songs and the total playing time of the single.

In popular music, the commercial and artistic importance of the single (as compared to the EP or album) has varied over time, technological development, and according to the audience of particular artists and genres. Singles have generally been more important to artists who sell to the youngest purchasers of music (younger teenagers and pre-teens), who tend to have more limited financial resources. Perhaps the golden age of the single was on 45's in the 1950s and early 1960s in the early years of rock music. Starting in the mid-sixties, albums became a greater focus and more important as artists created albums of uniformly high quality and coherent themes, a trend which reached its apex in the development of the concept album. Over the first decade of the 21st century, the single generally received less and less attention in the United States as albums, which on Compact Disc had virtually identical production and distribution costs but could be sold at a higher price, became most retailers' primary method of selling music. Singles continued to be produced in the UK and Australia but have declined since the mid first decade of the 21st century.

Dance music, however, has followed a different commercial pattern, and the single, especially the 12-inch vinyl single, remains a major method by which dance music is distributed.

As of 2006 the single seems to be undergoing something of a revival. Commercial music download sites reportedly sell mostly single tracks rather than whole albums, and the increase in popularity seems to have rubbed off on physical formats. Portable audio players, which make it extremely easy to load and play songs from many different artists, are claimed to be a major factor behind this trend.

A related development has been the popularity of mobile phone ringtones based on pop singles (on some modern phones, the actual single can be used as a ringtone). In September 2007, Sony BMG announced they would introduce a new type of CD single, called "ringles", for the 2007 holiday season. The format included three songs by an artist, plus a ringtone accessible from the user's computer. Sony announced plans to release 50 ringles in October and November, while Universal Music Group expected to release somewhere between 10 and 20 titles.

In a reversal of this trend, a single has been released based on a ringtone itself. The Crazy Frog ringtone, which was a cult hit in Europe in 2004, was released as a mashup with Axel F in June 2005 amid a massive publicity campaign and subsequently hit #1 on the UK charts.​



 

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